Using the Self to Imagine the World: Conversations on Ree Morton

Using the Self to Imagine the World: Conversations on Ree Morton

Institute of Contemporary Art at the University of Pennsylvania (ICA)

[1] The Plant That Heals May Also Poison, 1974. Enamel and glitter on wood and celastic, 5 light bulbs. FWA – Lieve Van Gorp Foundation for Women Artists. [2] Weeds of the Northeast #5, 1974. Pencil, crayon, watercolor, and glitter on grained paper. The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawing Collection Gift 2005. [3] Devil Chaser, 2nd version, 1975/76. Wire and enamel on celastic; acrylic on plywood. Art Institute of Chicago. Mr. and Mrs. Frank G. Logan Purchase Prize Fund; Contemporary Discretionary Fund; restricted gift of Barbara Ruben; Emilie L. Wild Prize fund, 2011.54. [4] Something in the Wind, 1975. Installation view: South Street Seaport, New York, 1975. [5] Regional Piece, 1975-76. Oil on wood and enamel on celastic. Institute of Contemporary Art, Boston. Gift of Barbara Lee, The Barbara Lee Collection of Art by Women. © Estate of Ree Morton. All works courtesy Alexander and Bonin, New York.

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Institute of Contemporary Art at the University of Pennsylvania (ICA)
March 11, 2018

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