February 4, 2015 - Salzburger Kunstverein - Invisible Violence
February 4, 2015

Invisible Violence

Kader Attia, Repair Analysis, 2013. Mirror and copper wire, 24 cm x 32 cm x 5 cm. Photo: Martino Margheri. Courtesy of the artist and MMK Frankfurt.

Invisible Violence
14 February–10 April 2015

Opening: 13 February, 8pm

Salzburger Kunstverein
Künstlerhaus
Hellbrunner Straße 3
5020 Salzburg
Austria

www.salzburger-kunstverein.at

Artists: Kader Attia (France), Itziar Barrio (Spain), Ursula Biemann (Switzerland), Rossella Biscotti (Italy/Netherlands) & Kevin van Braak (Netherlands), Sarah Browne (Ireland), Declan Clarke (Ireland), Willie Doherty (Ireland/UK), Eva Engelbert (Austria) & Katharina Schniebs (Germany), Harun Farocki (Germany), Daniel Garcia Andújar (Spain), Eva Grubinger (Austria), Dejan Kaludjerović (Serbia/Austria), Vladimir Miladinović (Serbia), Locky Morris (Ireland/UK), Adrian Paci (Albania/Italy), Christodoulos Panayiotou (Cyprus), Garrett Phelan (Ireland), Nikola Radić Lucati (Serbia), María Ruido (Spain), Francesc Ruiz (Spain)

Curators: Zoran Erić, Séamus Kealy, Blanca de la Torre

Co-produced with the Museum of Contemporary Art, Belgrade and ARTIUM, Basque Museum-Centre
of Contemporary Art, Vitoria-Gasteiz. 

Artist roundtable: Friday 13 February, 6:30pm 
The curators and attending artists on “invisible violence”: 
Declan Clarke, Willie Doherty, Eva Engelbert, Zoran Erić, Daniel Garcia Andújar, Séamus Kealy, Vladimir Miladinović, Garrett Phelan, Nikola Radić Lucati, Blanca de la Torre, a.o.

Invisible Violence is a multi-disciplinary project curated by Zoran Erić, Séamus Kealy and Blanca de la Torre, and hosted by the Museum of Contemporary Art, Belgrade, Serbia, Artium, Basque Museum-Centre of Contemporary Art, Vitoria-Gasteiz, Spain, and the Salzburger Kunstverein in Austria. The original geo-political context of this project was a European triangle formed out of the Basque region, Ireland (especially Northern Ireland), and Serbia, all of which bear the stereotypical image of being notorious for violence and terror. This common denominator and constellation was a backdrop to the project, which has now expanded to include Austrian and broader European contexts.

This exhibition explores so-called invisible violence as it is globally discernible within quotidian, domestic, work-related, and everyday life. This includes administrative and bureaucratic violence; forms of visual violence in media; as well as subtle forms of sectarianism and community animosity from recent historical and current socio-political circumstances. These comparisons of violence are being explored by bringing together artists’ work that problematize territorial, nationalistic, mythological and identity-related topics. Overall the project strives to not be bogged down by partitioned or oppositional representations.

The thematic focus of the project considers some important and sensitive areas in the production of new European identities. By fostering the public debate on issues of invisible violence that are occurring in every corner of Europe, this project emphasizes the need for the production of a common public sphere, and to revisit essential ideas of European identity and citizenship, and thus to put a spotlight on the European Union from within.

We are today arguably facing a situation where new laws, legislation and interstate agreements within the EU may generate capacities for new types of violence. The currently proposed TTIP (Transatlantic Trade & Investment Partnership) agreement, being brokered between the European Union, Canada and the United States, is a case in point, and radically underlines how the dictates of government and industry impose themselves on the bodies of citizens. Relatedly, current issues such as disaffiliation of the impoverished and marginalized populations in Europe and the violence invoked upon them due to their difference (particularly immigrants), have been defined by theorists like Bertrand Ogilvie as a system that engenders the production of “disposable humans” (l’homme jetable). Étienne Balibar goes even further in asking if there is a new type of European apartheid that is being produced with new forms of restrictive and exclusive legislation. Opposed to this, he has addressed the need to create a common European public sphere where new identities of European citizenship will be created, and these ideas should be discussed exactly in each corner of Europe, at its fringes and borders.

Altogether, this project aims to give shape to such a sphere and to highlight universalizing aspects of new forms of invisible violence as they are currently prevalent throughout Europe; forms of violence that are seen as a central threat to the production of egalitarian ideals of European citizenship. With these considerations, it is therefore critical to surpass obstacles of fragmentation and separatism that are currently generated in discourses of identity politics and cultural differences within particular ethnicities in Europe.

The theme of violence as a subject for an exhibition is naturally a sensitive and perhaps provocative one, and sometimes generative of Manichean definitions of “us and them.” It is thus an aim for the curators to resist undue focus on issues of war, genocide and extreme violence, while enabling these to be a tangible, if unseen, backdrop to the project. The violence being explored mainly—that which is depicted or investigated throughout the invited artists’ work—is forms of violence within language, within representation, as a result of shifting socio-economic conditions, and shifting ideas and policies that may be identified as enacting a cultural violence upon geo-political bodies and individuals. This means that more topical and more pronounced forms of violence (terrorism, war, ethnic cleansing and genocide) are not absent but do not dominate the field of references, which itself aims to cast several beacons on different forms of cultural and contemporary violence simultaneously.

Events:

Three thematic lectures on “invisible violence” today
18 March, 7–9pm
(in English)
–Étienne Balibar (France), Distinguished Professor of French & Italian and Comparative Literature at the University of California Irvine
–Keti Chukhrov (Russia), Associate Professor at the Russian State University for Humanities (Department of Art Theory and Culturology)
–Suzana Milevska (Macedonia/Austria), Endowed Professorship for Central and South Eastern European Art Histories at the Academy of Fine Arts Vienna

Curatorial tour with Séamus Kealy 
1 April, 5:30pm

Exhibition venues:
Salon of the Museum of Contemporary Art / Heritage House Belgrade / Instituto Cervantes, Belgrade, Serbia (9 May–30 June 2014)
Artium, Basque Museum-Center of Contemporary Art, Vitoria-Gasteiz, Spain (12 September 2014–11 January 2015)
Salzburger Kunstverein, Salzburg, Austria (14 February–10 April 2015)

 
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