December 14, 2014 - National Museum of Modern and Contemporary Art, Korea - Leandro Erlich
December 14, 2014

The Box Project 2014: Leandro Erlich

Leandro Erlich, Port of Reflections, 2014. Mixed media.

November 4, 2014–September 13, 2015

National Museum of Modern and Contemporary Art, Seoul (MMCA Seoul)
30 Samcheong-ro Jongro-gu 
Seoul
Korea
Hours: Tuesday, Thursday, Friday, Sunday 10am–6pm, 
Wednesday, Saturday 10am–9pm (6–9pm free of charge) 

T +82 2 3701 9500

www.mmca.go.kr

With a mission to engage the public in a multifaceted discourse and promoting diversity in the arts, “Hanjin Shipping The Box Project” sponsors and supports the artists that have established unique artistic domains in the international art scene. Leandro Erlich (b. 1973, Argentina) was commissioned for the year 2014, presenting the latest work, Port of Reflections.

Reputed as an international contemporary artist, Leandro Erlich has represented the Argentina Pavilion at the Venice Biennale (2001) and has had solo exhibitions at various prestigious museums such as Museo d’arte contemporanea Roma (MACRO), MoMA PS1, 21st Century Museum of Contemporary Art, Kanazawa, among others. He was introduced to the Korean audience at Busan Biennale (2002), Seoul Media City (2005), and Song Eun Art Space (2012), where he generated a great amount of media attention and interests from the public.

Port of Reflections is the largest and perhaps the most ambitious site-specific installation work that he has ever created in his entire artistic career. Erlich subverts the mundane quotidian space into a fantastic world of surprises and paradoxes by juxtaposing reality and illusion, the real and the unreal, representation and ambiguousness, thereby constructing a unique vocabulary on his contemplation of the world.

Seoul Box is the most spacious (approximately 23.4m x 23.4meters), the loftiest (approximately 16.6 meters), and serves the role of navigational center in which viewers can efficiently access the other exhibition spaces in the museum. Incorporating these spatial characteristics, Erlich has created an anonymous beautiful floating harbor where the ships moor and the lonesome street lamps guard the port in which the spectators will see the corporeal reflection of boats suspended in the air. Upon entering the museum through the lobby, the viewers will first encounter the work on the ground floor which will instantaneously arouse their curiosity due to its scale as well as its amazing enactment of imagination.

Seeing the physical doubles with the illusion of liquid movements floating in the space will stir up a dreamy landscape where the viewers are guided through a bizarre experience where the real and the unreal, or the real and the illusory, are exquisitely blended in surreal yet ambient surroundings. At the same time, Port of Reflections occasions the physical, cultural and social relation between Korea and Argentina, two countries that are geographically located diametrically opposite to each other, and by extension visually alludes to the relations of polarity and union of all the nations around the globe.

This exhibition will also feature a film that documented the whole process—from conceiving the idea to modeling, fabricating, transporting, installing, and the artist interview.

 

Leandro Erlich at the National Museum of Modern and Contemporary Art, Korea
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