March 24, 2014 - Meeting Points - Meeting Points 7 at Beirut Art Center
March 24, 2014

Meeting Points 7 at Beirut Art Center

Cecilia Vicuña, What is poetry to you? (still), 1980. Video.

Meeting Points 7
Ten thousand wiles and a hundred thousand tricks

1 April–3 May 2014

Opening: 1 April, 7pm
6pm: Lawrence Abu Hamdan, Contra-Diction: speech against itself

Beirut Art Center 
Jisr El Wati
Off Corniche an Nahr. Building 13
Beirut
Lebanon

www.beirutartcenter.org
www.meetingpoints.org

Lawrence Abu Hamdan, Marwa Arsanios, Sven Augustijnen, Kianoush Ayari, Céline Condorelli, DAAR, Goran Dević, Simone Fattal, Karpo Godina, Iconoclasistas, Iman Issa, Sanja Iveković, Maryam Jafri, Rajkamal Kahlon, Anton Kannemeyer, Kayfa ta & Haytham El-Wardany, Runo Lagomarsino, Victoria Lomasko, Maha Maamoun, Jumana Manna, Azzedine Meddour, Eduardo Molinari, Edgar Morin and Jean Rouch, Tom Nicholson, Marta Popivoda, Milica Tomić, Mona Vǎtǎmanu and Florin Tudor, Cecilia Vicuña, Želimir Žilnik

Curators: What, How and for Whom/WHW
Organisers: Young Arab Theatre Fund/YATF

Ten thousand wiles and a hundred thousand tricks opens in Beirut as part of the seventh edition of Meeting Points, a multidisciplinary contemporary arts festival focusing on contextualized presentation of art from the Arab World.(1) A series of exhibitions held successively in Zagreb, Antwerp, Cairo, Hong Kong, Beirut, Vienna and Moscow between September 2013 and June 2014 forms a drifting, digressive narrative, each part complementing and possibly contradicting the others at times. While mindful of the political reality of the Middle East, the exhibitions abstain from hasty reflections on current social and political transformations, as well as from regional representations of the Arab world; instead, they attempt to offer a new reading of internationalism, one that involves an awareness of the mutual conditioning of social battles in different parts of the world.

Conceived as an exhibition in time, Ten thousand wiles and a hundred thousand tricks resurfaces anew in each installment, realigning topics with particular locations and their specific geopolitical and historical contexts. In Beirut, the exhibition aims to establish a string of loose links and parallels among the works exhibited, while giving prominence to the Middle East, former Eastern Europe and Latin America. It thus draws together several threads which highlight the fracture between the representation and interpretation of historical and current trends. Artists in the exhibition hold images accountable, exposing the manipulation and mendacity present in the mass media and in the way in which stereotypes are continuously re-inserted into public discourse; they also attempt to map the ways in which one gets entangled in the somber and persisting legacy of colonialism and how one breaks away from its reach. The prospects of political struggles are explored by referring back to historical narratives, looking into the current stifling of political dissent, and tracking the tensions between revolutions and counterrevolutions. The fading and dissolution of ideals, as well as the survival of their persistent, seductive promise, are addressed by exploring the cracks in the modernist project, the contradictions and possibilities of the role played by middle classes at various historical junctures, as well as the tensions between the ‘everyday life’ of an individual and turbulent historical circumstances. The exhibition strives to enable a dialogue of equals. It also inquires into the power of images to cut through inertia and apathy, and considers ways in which the promise of radical social reconfigurations is still being acted upon in the present or whether it is foreclosed in any foreseeable future.

Ten thousand wiles and a hundred thousand tricks was inaugurated in Zagreb in September 2013, in Gallery Nova. The following instalments of Meeting Points 7 took place at the MuHKA in Antwerp in October 2013, at the Contemporary Image Collective (CIC) in Cairo in February 2014, and in Hong Kong in March 2014, in collaboration with Para Site.  After Beirut, the next station of the exhibition will be in Vienna (together with Wiener Festwochen and 21er Haus, Vienna, opening 9 May), to be followed by Moscow (with the V–A–C Foundation and the Institute for African Studies, opening 7 July).

Meeting Points 7 is curated by What, How & for Whom/WHW, a curatorial collective formed in 1999 and based in Zagreb and Berlin. WHW organizes production, exhibition and publishing projects and directs Gallery Nova in Zagreb. WHW is currently working on a long-term collaboration project, Beginning as well as we can (How do we talk about fascism?), and curating the exhibition Really Useful Knowledge, to open at Museo Nacional Centro de Arte Reina Sofía in Madrid in October.

1) The title of the project, Ten thousand wiles and a hundred thousand tricks, is a quote from Wretched of the Earth (1961), the book revolutionary philosopher Frantz Fanon wrote as a reflection on the Algerian revolution and whose title derives from the opening lyrics of the “Internationale,” the song of the world workers’ movement.

The project is supported by Ford Foundation, Flemish Authorities, Allianz Kulturstiftung, Australia Council for the Arts, FfAI, and OCA.

 

Meeting Points 7 at Beirut Art Center
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