Akram Zaatari

Akram Zaatari

Lebanese Pavilion at the Venice Biennale

Akram Zaatari, This Day At Ten, 2012. Exhibition view; Magasin, Grenoble.
 Photo: Blaise Adilon. Courtesy of the artist and Sfeir-Semler gallery.

December 3, 2012

The Lebanese Pavilion at the Venice Biennale
1 June–24 November 2013

Preview days: 29, 30 and 31 May 2013

Venue: The Arsenale
(adjacent to the artistic director’s main exhibition)

www.labiennale.org

Akram Zaatari (Artist):
“Different subjects, characters and figures that I have dealt with in my work in the past never leave me. They often reappear in my life and find their way to re-emerge in other later works. They totally inhabit my imagination and make me realize they turn my work into a theater of limitless possibilities. It’s a theater where strangers from different worlds find themselves on stage face-to-face.”

Sam Bardaouil and Till Fellrath (Curators): 
“The material and physical delineations of a pavilion embody a desire to encapsulate an imagined “essence” within a carefully constructed shell. A pavilion looks like an interruption, where continuities in geography and time all of a sudden break in favor of that finality. When addressing this problem, curating a “national pavilion” can become an act of a revisionist nature, presenting a work that refuses to be ‘a terminal point of the creative process, but rather, a site of navigation, a portal and a generator of thought.’ Our decision to present this new work by Akram results from the fact that it operates along an axis of interrogation that sits within the same vein of criticality that we have in mind for the pavilion itself.”

APEAL – Association for the Promotion and Exhibition of the Arts in Lebanon (Commissioner): 
“There is a natural synergy between Zaatari’s approach to the creative process and Bardaouil and Fellrath’s curatorial practice. They both work as archeologists in a sense. For his part, Akram weaves personal narratives and histories while collecting documents and objects to rewrite contested histories and explore the politics of making and circulating images. Sam and Till are always seeking to unpack the curatorial mechanisms, modes of visual display and literary representation by which the artist and the artwork are framed and evaluated through an ongoing excavation of art-historical narratives that can be positioned as alternative frameworks for the reconsideration of the contemporary moment of artistic production.

“There is an amazing story lying at the heart of what will be presented at Venice making it most suited
for the context of a national pavilion,” everybody concluded.

For bios of the artist, curator and commissioner and for further inquiries, please contact
John Diviney, lebpavilion [​at​] brunswickgroup.com / T +971 4 446 6270

Advertisement
RSVP
RSVP for Akram Zaatari
Lebanese Pavilion at the Venice Biennale
December 3, 2012

Thank you for your RSVP.

Lebanese Pavilion at the Venice Biennale will be in touch.

Subscribe

e-flux announcements are emailed press releases for art exhibitions from all over the world.

Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.

Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.

Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.

Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.

Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.

I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for your interest in e-flux. Check your inbox to confirm your subscription.