March 27, 2012 - Pulitzer Arts Foundation - In the Still Epiphany
March 27, 2012

In the Still Epiphany

Pierre Bonnard (French, 1867–1947), “Still Life with Ham,” 1940. Oil on canvas, 17 x 25 inches, © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo by Jean Paul Torno.

In the Still Epiphany
April 5–October 27, 2012

Opening:
Thursday, April 5, 5–9pm

The Pulitzer Foundation for the Arts
3716 Washington Boulevard 
(between Grand Boulevard and Spring Avenue)
St. Louis, MO 63108

T 314.754.1850

www.pulitzerarts.org

In celebration of its 10th-anniversary year, The Pulitzer Foundation for the Arts presents the exhibition In the Still Epiphany.  Artist Gedi Sibony is creating a large-scale, temporary work of art comprised of almost fifty objects from the collection of Emily and Joseph Pulitzer, Jr.—including works by John Singer Sargent, Pierre Bonnard, Edouard Vuillard, Pablo Picasso, Henri Matisse, Paul Klee, Lucia Moholy, and Lucio Fontana.

Sibony is arranging these predominately figurative works within the spaces of Tadao Ando’s building to create a flow of experience that is involving, meditative, and surprising.  Modern and contemporary European and American paintings, sculptures, and works on paper—many of them chosen for their depiction of domestic interiors and the figures that inhabit them—are combined with African, Asian, and Pre-Columbian ritual and decorative objects. These groupings resonate within the galleries of the Pulitzer building to impart a distinct character to each space and to offer the visitor a journey through the activity of life as depicted in the frozen moments captured by the works themselves.

In the Still Epiphany bookends the Pulitzer’s first exhibition, presented in 2001–2002, which also drew exclusively from the collection of Emily and Joseph Pulitzer, Jr.. Sibony’s installation not only includes works of art from the private collection but also those given by Mr. and Mrs. Joseph Pulitzer, Jr. to the Harvard Art Museums, Saint Louis Art Museum, and the Mildred Lane Kemper Art Museum at Washington University in St. Louis.

The exhibition will be accompanied by a catalogue with essays by Sibony, the Pulitzer’s Director Kristina Van Dyke, and writer and curator emerita Marjorie B. Cohn.

In the Still Epiphany unfolds in stages, beginning in the small space of the Pulitzer’s Entrance Gallery, which functions like a crowded foyer with a high density of portraits and busts including Vuillard’s Self Portrait (1892) and Auguste Rodin’s Bust of Joseph Pulitzer (1907).  Then Picasso’s The Fireplace (1916–17) draws the visitor into the large Main Gallery, where different types of conversations between the works take place.  Objects, arranged as a mise-en-scène, include Chinese terracotta vessels from the 6th century CE, an Alberto Giacometti sculpture, and a group of Pre-Columbian works including tribal pots and a headdress ornament made of copper and gold. Nearby are Bonnard’s vibrant, almost electric, painting Still Life with Ham (1940), as well as Matisse’s The Conservatory (1938) and Vuillard’s Woman in Green (1909), both of which depict reclining women lost in thought.

A narrow passageway leads into the Cube Gallery, where Fontana’s painting Black Landscape (1966), acts as night-sky theater box, in front of which an armature holds two prehistoric sculptures—a terracotta from Pakistan entitled Mother-Goddess Holding One Breast (c. 3000–2500 BCE) and a standing figure made of stone from Africa (c. 4500-7000 BCE)—that serve as a formulation of the mystery of life.

The Pulitzer Foundation for the Arts
Through art exhibitions, programs, collaborations and exchanges with other institutions, The Pulitzer Foundation for the Arts aims to foster a deeper understanding and appreciation of art and architecture and is a resource for artists, architects, scholars, students and the general public. From June 14 to 17, 2012, The Pulitzer Contemporary Music Festival, Retrospectives and Innovations: A Celebration of 10 Years of The Pulitzer Foundation for the Arts, will be presented at the Pulitzer and programmed by renowned St. Louis Symphony Music Director David Robertson. Exhibition-related public programming includes curatorial lectures, frame-of-reference series, and symposia. The Pulitzer is open and free to the public Wednesdays from 12:00 p.m. to 5:00 p.m. and Saturdays from 10:00 a.m. to 5:00 p.m. For more information, please visit www.pulitzerarts.org.

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