May 27, 2011 - Stroom Den Haag - Raphael Zarka
May 27, 2011

Raphael Zarka

Raphaël Zarka, “Gibellina Vecchia,” 2010.
Film super 16 transferred to HD, 11′.
Courtesy Galerie Michel Rein, Paris.

Raphaël Zarka
Gibellina
29 May–21 August 2011

Opening:
Saturday 28 May, 4 pm
with a conversation between Lorenzo Benedetti (director SBKM/De Vleeshal) and Raphaël Zarka

Stroom Den Haag
Hogewal 1-9
2514 HA The Hague
The Netherlands
T +31-70 3658985
info [​at​] stroom.nl

www.stroom.nl

Opening hours:
Wednesday–Sunday 12–5 pm
(closed: June 12)

Stroom Den Haag presents the first solo exhibition in the Netherlands of the versatile French artist Raphaël Zarka. “Nature is an infinite sphere whose centre is everywhere and whose circumference is nowhere.” This poetic quote from the French mathematician and philosopher Blaise Pascal could refer to the broad spectrum and the continuous character of Zarka’s work and the link between his various projects. In addition to sculptures and photographs the exhibition at Stroom features his latest production ‘Gibellina Vecchia’. In this short film Zarka meticulously records the monumental artwork Alberto Burri created in the 1980s on the ruins of the Sicilian town of Gibellina, which was destroyed by an earthquake in 1968.

Raphaël Zarka (1977, Montpellier) is fascinated by forgotten spaces and undefined areas, where objects and buildings are reminders of a once promising future. Often they are the rusty remnants of an industrial past, which have been transformed into modern ruins, or in the words of one of Zarka’s inspirers Robert Smithson, ‘ruins in reverse.’ Zarka appropriates these structures, this cultural heritage, and looks into the formal and functional aspects of each object, its history and its ultimate destination. Thus ‘Les Formes du Repos’, a work he first started in 2001, consists of a series of photographs in which the objects—an abandoned monorail, a concrete breakwater, tunnel tubes and such—manifest themselves as ‘involuntary’ sculptures.

The central work in the exhibition—’Gibellina Vecchia’—not only shows Zarka as a collector of sculptural forms, but also as an essayist and archivist. This short film records Alberto Burri’s artwork ‘Il Grande Cretto’ from the 1980s: large slabs of concrete commemorating the streets and shapes of the former town of Gibellina. In the film the isolated objects are portrayed as motion at rest, merging together various elements like memory, history and archeology.

The exhibition of the work of Raphaël Zarka was earlier on display at CAN – Centre d’Art Neuchâtel. It is part of a series of presentations at Stroom that also includes exhibitions by Toby Paterson (2007) and Cyprien Gaillard (2009), urban explorers and skateboarders, contemporaries fascinated by the way in which specific processes and powers shape our (urban) environment.

Stroom School
The exhibition is accompanied by a Stroom School side program and a lecture by the British historian Iain Borden (June 9, 2011, as part of the lecture series The Knight’s Move). Every Sunday at 3 pm there is a free guided tour.

Acknowledgements
Mondriaan Foundation, Galerie Michel Rein, Paris (F), Le Frac Alsace, Sélestat (F), Le Grand Café, Saint-Nazaire (F), CAN – Centre d’Art Neuchâtel (CH), Motive Gallery, Amsterdam.

‘Gibellina Vecchia’ is a co-production of Stroom Den Haag, Le Frac Alsace (Sélestat, F), Le Grand Café (Saint-Nazaire, F), CAN – Centre d’Art Neuchâtel (CH), Centre culturel français de Palerme et de Sicile / Ambassade de France en Italie (IT), Le Musée du Berry (Bourges, F) and Raphaël Zarka.

Raphael Zarka
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