Walid Raad
Scratching on Things I Could Disavow. A History of Art in the Arab World
Exhibition and Performance
26 May–15 June 2011
Opening:
26 May, 5–7:00 pm
In Absentia: A Conversation Between Walid Raad and Jalal Toufic
on May 27 at 4 p.m.
Thyssen-Bornemisza Art Contemporary
Himmelpfortgasse 13, 1010 Vienna
T +43 1 513 98 56 12
F +43 1 513 98 56 22
press [at] tba21.org
www.tba21.org
Wiener Festwochen
www.festwochen.at
In Scratching on Things I Could Disavow, Walid Raad takes the visitor from a detailed case study of The Artist Pension Trust and its enmeshment with a network of neoliberal actors, to an account of the accelerated emergence of art spaces and institutions in the Arab world, and finally to inexplicable physical phenomena like the flattening of art spaces, the shrinking of artworks, and the availability of colors, lines, and forms for contemporary Arab artistic creation.
Walid Raad’s overall project engages with the fast-paced development in cities such as Abu-Dhabi, Beirut, Cairo, Doha, Istanbul and Sharjah of a new infrastructure for the visual arts. In a context where cultural tourism has become an instrument of economic growth and power, Raad’s project considers the ideological, economic and political dimensions of this phenomenon to ask whether and how culture and tradition in the Arab world may have been affected, materially and immaterially, by the various wars that have been and are still being waged in this volatile region. Raad’s works also lean on Jalal Toufic’s concept of “the withdrawal of tradition past a surpassing disaster.”
Scratching on Things I Could Disavow expands upon the research-based methodology of Raad’s The Atlas Group (1989–2004), the visual and performative archival project he has initiated to document the social, political, psychological and aesthetic conditions of the Lebanese wars (1975–1990/91). The new project marks a critical juncture in Raad’s practice, at once a departure from The Atlas Group while expanding its historical and theoretical reference.
Concept and production: Walid Raad
Concept development collaborators and/or production assistants: Carlos Chahine, Raphael Fleuriet, Ryan Garrett, Kristine Khouri, Mores Mc Wreath, Markus Reymann, Celesta Rottiers, Lucien Samaha, Herman Sorgeloos, Situ Studio, Rémi Vidal
Executive Producer: Klein verzet vzw
Coproduction: Wiener Festwochen, Thyssen-Bornemisza Art Contemporary, Festival d’Automne à Paris, Kunstenfestivaldesarts, Brüssel, Les Halles, Brüssel, HAU/Hebbel am Ufer, Berlin, Le CENTQUATRE, Paris
Supported by: Galerie Sfeir-Semler, Hamburg/Beirut, Anthony Reynolds Gallery, London, Paula Cooper Gallery, New York, Centre national des arts plastiques, Paris, Ville de Paris, Ministère des Affaires étrangères et européennes, Paris
Walid Raad is an artist and an Associate Professor of Art in The Cooper Union (New York, USA). Raad’s works include The Atlas Group, a fifteen-year project between 1989 and 2004 about the contemporary history of Lebanon, and the ongoing projects Scratching on Things I Could Disavow: A History of Art in the Arab World, and Sweet Talk: Commissions (Beirut). His books include The Truth Will Be Known When The Last Witness Is Dead, My Neck Is Thinner Than A Hair, Let’s Be Honest, The Weather Helped, and Scratching on Things I Could Disavow. Raad’s works have been shown at The Whitechapel Gallery (London, UK), Festival d’Automne (Paris, France), Kunsten Festival des Arts (Brussels, Belgium), Documenta 11 (Kassel, Germany), The Venice Biennale (Venice, Italy), The Hamburger Bahnhof (Berlin, Germany), Homeworks (Beirut, Lebanon) and numerous other museums and venues in Europe, the Middle East, and North America. Raad is also the recipient of the Hasselblad Award (2011), a Guggenheim Fellowship (2009), the Alpert Award in Visual Arts (2007), the Deutsche Börse Photography Prize (2007), and the Camera Austria Award (2005). Raad is represented by the Sfeir-Semler Gallery (Hamburg / Beirut); Anthony Reynolds Gallery (London); and Paula Cooper Gallery (New York).
Founded in Vienna in 2002 by Francesca von Habsburg, Thyssen-Bornemisza Art Contemporary is committed to supporting the production of contemporary art and is actively involved in commissioning and disseminating unconventional projects. After nine years of collecting art, initiating challenging projects and an engaged exhibition practice, the foundation is opening its new exhibition space in autumn 2011, relocating the recently closed Temporäre Kunsthalle Berlin to Vienna. The mission of the new space is expressing T-B A21′s vision to act as an agent of transformation, to participate actively in the formulation of our environments and social spaces and to create a venue for dialogue and engagement in Vienna.
The Thyssen-Bornemisza Art Contemporary exhibition program is sponsored by the Vienna Insurance Group
Walid Raad
Scratching on Things I Could Disavow. A History of Art in the Arab World
Exhibition
Opening: May 26, 5–7:00 pm
Duration: May 26–June 15, 2011
Opening hours:
Mon to Fri (workdays), 12 to 7 p.m.
Sat, Sun, holidays, 12 to 6 p.m.
Free Admission
Exhibition Walk-throughs
Premiere: Thursday, May 26, 2011, 7:30 p.m.
Subsequent presentations: May 27 – June 15, 2011
Mon to Fri (workdays) at 7 p.m.
Sat, Sun, ho at 6 p.m. and at 9 p.m.
Exhibition Walk-throughs in English by Walid Raad
May 26–28, and June 7–10, 11 (at 6 p.m.), 12
Exhibition Walk-throughs in German by Markus Reymann (T-B A21)
May 29–June 6, June 11 (at 9 p.m.), June 13–15
Tickets:
Wiener Festwochen
www.festwochen.at
Presse / Thyssen-Bornemisza Art Contemporary
Christina Werner
T +43 1 524 96 46 22
F +43 1 524 96 32
werner@kunstnet.at
Press Office Wiener Festwochen
Maria Awecker, Stefanie Preißler
Lehárgasse 11, 1060 Vienna
T +43-1 589 22-330, 337 F +43-1 589 22-49
pressebuero@festwochen.at
www.festwochen.at
*Image above:
© Walid Raad, Courtesy: Galerie Sfeir-Semler (Beirut / Hamburg)
