Huckleberry Finn

Huckleberry Finn

CCA Wattis Institute for Contemporary Arts

September 28, 2010

Huckleberry Finn
September 28 – December 11, 2010

CCA Wattis Institute for Contemporary Arts
California College of the Arts
Kent and Vicki Logan Galleries
1111 Eighth Street
San Francisco CA 94107-2247
T: 415.551.9210
www.wattis.org

PARTICIPATING ARTISTS: Edgar Arceneaux, Ruth-Marion Baruch, Romare Bearden, Elizabeth Catlett, Claude Clark, Abraham Cruzvillegas, Jamal Cyrus, Emory Douglas, Thomas Edison, Geoffrey Farmer, Simon Fujiwara, Ellen Gallagher, Felix Gonzalez-Torres, Rodney Graham, David Hammons, Clementine Hunter, Edward W. Kemble, Dorothea Lange, Tim Lee, Henry Lewis, Glenn Ligon, Pare Lorentz, Jason Meadows, Kristen Morgin, Thomas Nast, Kirsten Pieroth, Horace Pippin, Betye Saar, Ben Shahn, Yinka Shonibare MBE, Allison Smith, Alec Soth, William Desmond Taylor, Hank Willis Thomas, Kara Walker, Andy Warhol

With documents concerning Mr. Twain, artifacts from Huck and Jim’s Mississippi, and records of the violent biases beneath their roiling adventures.

Huckleberry Finn is the final show in a trilogy of Wattis Institute exhibitions based on canonical American novels. In 2008, The Wizard of Oz revealed layers of political symbolism and escapism in L. Frank Baum’s famous book, and in 2009, Moby-Dick delved into Herman Melville’s depiction of an epic struggle between good and evil. These investigations of America and its realities through the lens of literature by means of artworks, artifacts, and historical documents are unique to the Wattis Institute.

2010 marks the 125th anniversary of the first publication of Mark Twain’s book Adventures of Huckleberry Finn, and the 100th anniversary of the author’s passing. At its most elementary level, Adventures of Huckleberry Finn chronicles the adventures of a boy, Huck, and his loyal friend, Jim, as they raft down the Mississippi River. On a deeper level, the narrative provides an intimate look at a young boy’s self-education, a moving argument for racial equality, and a biting social critique of the time in which Twain was writing. The novel is counted as one of the most important works of American literature, yet it still tops the banned-book list for its use of racial slurs, revealing that its underlying issues of intolerance and racism are still sensitive ones in our society.

This exhibition features the work of 36 artists, including 15 new commissions by artists such as Kara Walker, Yinka Shonibare MBE, and Tim Lee, and the West Coast premiere of the newly restored 1920 silent film Huckleberry Finn. Additional historical artifacts and artworks help develop a portrait of the American South and African American life in the time of slavery, while contemporary artworks reflect upon some of the themes of the book that still resonate—and unsettle—today.

A full-color catalog will be available in December 2010, its design based on the 1885 Charles L. Webster and Company first edition of Adventures of Huckleberry Finn. It will include an essay by the scholar and curator Maurice Berger and photographs of the artworks in the exhibition, including the new commissions.

Visit www.wattis.org and www.cca.edu/calendar for current information concerning related programs, lectures, and events. Huckleberry Finn is curated by Jens Hoffmann, director of the CCA Wattis Institute.

About the CCA Wattis Institute
The Wattis Institute for Contemporary Arts was established in 1998 in San Francisco at California College of the Arts. It serves as a forum for the presentation and discussion of international contemporary art and curatorial practice. Through groundbreaking exhibitions, the Capp Street Project residency program, lectures, symposia, and publications, the Wattis Institute has become one of the leading art institutions in the United States and an active site for contemporary culture in the Bay Area.

*Image above:
Courtesy the Hudgins Family, Englewood, New Jersey.

CCA Wattis Institute for Contemporary Arts

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September 28, 2010

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