Bruno Knutman

Bruno Knutman

Lunds konsthall

Christmas, 1939
Oil on canvas, 45 x 55 cm
Courtesy of the artist

May 21, 2010

Bruno Knutman.
Wolf at the Door

29 May – 5 September 2010

Opening: Friday, 28 May, 6–8pm

Mårtenstorget 3
SE-223 51 Lund
Sweden
tel. +46 46 355295
lundskonsthall [​at​] lund.se

 

Swedish painter Bruno Knutman (born 1930) is an artists’ artist, much respected by younger colleagues. But many others are also attracted by his visual individualism, by his career outside of current movements in art and his superior lack of interest in any conventional notion of quality. He knows how to discard all acquired knowledge to arrive where he must arrive with each new image – at a constantly new visual account of his own self.

Bruno Knutman’s latest substantial solo exhibition was a retrospective at Lunds konsthall 28 years ago, in the spring of 1982. This new comprehensive show of his work focuses on oil paintings from the intensely creative last five years, but it also comprises a number of drawings from the 1960s, 1970s and 1980s and a selection of gouaches from the early 1990s onwards.

Many of the motifs in this exhibition go back to the time of the Second World War, while the approach to painting and drawing is contemporary and forward-looking. The newest paintings show us life before and during the war as premonitions, predictions, projections. The exhibition is named after one of these works, Wolf at the Door, which conveys precisely such a looming threat in a pre-war urban reality.

Christmas, 1939 (2009) is a retrieved memory image in resplendent black and white, a vision of a Christmas tree in the first winter of the war, and at the same time a reminder of the nine-year-old’s fearful anticipation of what might happen to his city any moment.

Bruno Knutman’s images are either imaginary snapshots or visual riddles made up of diagrammatic symbolic elements. They are populated by a cast of characters that may have haunted him since childhood: the red and white cat that appears to be a little man in a cat suit; the crescent moon with summarily drawn facial features; the male character with a bluish planet earth on his shoulders; the young girl whose face sometimes cannot be recalled; the paper-doll children on their way through the image hand in hand; the ghost; death; the silhouette of a wolf standing on the church roof at dusk.

A mystic and a realist, Bruno Knutman is both painstakingly faithful to his sources and unpredictably expressive. He does not believe in the ‘pure’ image. His art formulates a world-view and speaks in images. It is therapy. This is perhaps most visible in the drawings, many of which are based on photographic sources. They also remind us that Bruno Knutman used to be labelled a pop artist, although it would be more accurate to call him perpetually non-classical.

Time is the raw material for his self-reflective images: the distant and more recent past, the present and, indirectly, the future. The self could hardly engage in any conversation if it were outside of time. In Bruno Knutman’s hands painting becomes an efficient tool for portraying time both as history and as inner, subjective reality. The artist himself has written: ‘We give time a nudge, and then we wait.’

Advertisement
RSVP
RSVP for Bruno Knutman
Lunds konsthall
May 21, 2010

Thank you for your RSVP.

Lunds konsthall will be in touch.

Subscribe

e-flux announcements are emailed press releases for art exhibitions from all over the world.

Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.

Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.

Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.

Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.

Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.

I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for your interest in e-flux. Check your inbox to confirm your subscription.