March 9, 2010 - Museum of Modern Art in Warsaw - Where the West Ends?
March 9, 2010

Where the West Ends?

Olga Chernysheva
Second Life
Series of light boxes
100×150 cm
2001, courtesy of the artist

Where the West Ends?
A two-day seminar with Claire Bishop at the Museum of Modern Art in Warsaw
within the framework of the FORMER WEST project

18 – 19 March 2010

The Museum of Modern Art in Warsaw
ul. Pańska 3
00-124 Warsaw, Poland
+48 22 596 40 10
info [​at​] artmuseum.pl

www.artmuseum.pl

In the frame of the Former West project, the Museum of Modern Art in Warsaw will hold a two-day seminar focusing on art in the former Soviet Union and its immediate zone of influence after the transition of 1991.

The motivations for turning to the East (rather than to the ‘Former West’) are twofold, and tied to the specifically Polish context, where the Museum of Modern Art in based. The first concerns art critical frames of reference. Despite the West’s growing interest in art practices from this region, it is difficult adequately to map and describe these practices using Western artistic vocabularies, which seem insufficient and badly adapted to the post-socialist context. The second concerns points of identification. Since 1989, Eastern European artists have tended to adopt one of two polarised positions towards the West: on the one hand, expressing a strong affiliation or ‘natural’ adhesion to the West, and on the other hand, a complete detachment from or even denial of Western models.

Russian art in the post-transition period seems to be very relevant in this regard. Despite the dominant (and frequently colonial) character of Western culture, Russian art has rarely adopted Western models. As a significant but completely separate sphere of development, post-transition art of the former Soviet Union remains a somewhat unknown quantity: obscure, unclassifiable and somehow inaccesible. What are the main developments (artistically, theoretically, institutionally) in Russia since 1991? What parallels can be drawn to the Eastern European scene? Can the new critical terminologies recently developed there also speak to the situation in Eastern Europe?

The seminar therefore aims to map the liminal zones of the West and foreground key aspects of contemporary visual art and a discourse that the ‘West’ cannot adequately describe and account for using its existing terminologies. As such, it will provide an important counterpoint to research in the ‘former’ aspects of both East and West.

Speakers at the symposium include : Boris Groys, Ekaterina Degot, Viktor Misiano, Keti Chukhrov, David Riff, Alexei Penzin, Ilya Budraitskis, Edit Andras, Inke Arns, Sarah Wilson, Tomas Pospiszyl, Olga Bryulikvetska, Nadim Samman, Maciej Gdula

Programme
For the updated programme and reservations, please go to www.artmuseum.pl

Realized within the framework of FORMER WEST, a contemporary art research, education, publishing, and exhibition project (2008–2013), initiated and organized by BAK, basis voor actuele kunst, Utrecht, the Netherlands, and generously supported by the Mondriaan Foundation, EU Culture Programme, European Cultural Foundation, and the City of Utrecht.

With the financial support by the Ministry of Culture and National Heritage of the Republic of Poland

For more information please visit: www.formerwest.org.

Museum of Modern Art in Warsaw

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