March 27, 2007 - MIT-Press - MediaArtHistories: Bridging the Gap
March 27, 2007

MediaArtHistories: Bridging the Gap

MediaArtHistories: Bridging the Gap

MIT-Press

New from MIT-Press (Leonardo Book Series)
MediaArtHistories, Edited by Oliver GRAU,
MIT-Press, Cambridge/Mass. 2007.
English
504 pages, numerous coloured and b/w illustrations, hardcover
ISBN-10: 0262072793
ISBN-13: 978-0262072793

Please visit

www.mediaarthistories.org/pub/mediaarthistories.html

Bridging the Gap

MediaArtHistories, Edited by Oliver GRAU,
with contributions by Rudolf ARNHEIM, Andreas BROECKMANN, Ron BURNETT, Edmond COUCHOT, Sean CUBITT, Dieter DANIELS, Felice FRANKEL, Oliver GRAU, Erkki HUHTAMO, Douglas KAHN, Ryszard W. KLUSZCZYNSKI, Machiko KUSAHARA, Timothy LENOIR, Lev MANOVICH, W. J. T. MITCHELL, Gunalan NADARAJAN, Christiane PAUL, Louise POISSANT, Edward A. SHANKEN, Barbara Maria STAFFORD and Peter WEIBEL.

Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today’s media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines–film, cultural and media studies, computer science, philosophy, and sciences dealing with images.

Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp’s inventions and 1960s kinetic and op art. They re-examine and redefine key media art theory terms machine, media, exhibition and consider the blurred dividing lines between art products and consumer products and between art images and science images.

Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the “trained eye” of art history.

Oliver Grau is Professor for Image Science and Dean of the Department for Image Science, Danube University Krems (Austria) www.donau-uni.ac.at/dis

He is the author of Virtual Art: From Illusion to Immersion (MIT Press, 2003), editor of Mediale Emotionen (2005) and founder of the pioneering international digital art archive www.virtualart.at

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