October 7, 2016 - RISD Museum - Manual issue 7: Alchemy
October 7, 2016

RISD Museum

Cover: Jan van de Velde II, The Sorceress (detail), 1626. Engraving on paper, plate: 21.3 x 28.6 cm. Purchased with a gift from Mrs. Murray S. Danforth 53.317.

Manual issue 7: Alchemy

RISD Museum
224 Benefit Street
Providence, Rhode Island 02903
United States
Hours: Tuesday–Sunday 10am–5pm

T +1 401 454 6500

risdmuseum.org
Facebook / Twitter / Instagram / Pinterest / Artsy

Manual issue 7: Alchemy

RISD Museum
224 Benefit Street
Providence, Rhode Island 02903
United States
Hours: Tuesday–Sunday 10am–5pm

T +1 401 454 6500

risdmuseum.org
Facebook / Twitter / Instagram / Pinterest / Artsy

"To engage as an alchemist/artist is to be the perpetual student of the present moment, to synthesize culture, so-called science, and the implications of existential borders into a discipline that is repeatable, a practice. Art and alchemy are not singular, unified pursuits. Their practitioners are trans-disciplinary, disjointed, and solitary in their practice, and their labor and the ordering of their lives become porous, overlaid in the pursuit of other-than or beyond-dominant modes of understanding.

"Alchemy and art are not about finding resolution, but building the capacity for curiosity, formulating questions that invest fields of knowledge with possibility, prompting the unexpected and emergent to manifest."

—Bryan McGovern Wilson, from the introduction

 

From the Files: Curator Kate Irvin moons over Space Quilt, an artifact from the future. 

Double Takes: Conservator Mimi Leveque and scholar Florence Friedman consider matters of life and death in an ancient Egyptian faience pectoral; curator Emily J. Peters and scholar Stephen S. Bush eye the divine apparition in Rembrandt’s The Scholar in His Study; professor Rachel Berwick and poet CA Conrad reflect on the magic of a 19th century glass witch ball.

Object Lessons: Art historian Douglas R. Nickel charges with meaning Hill and Adamson’s calotype Edinburgh Castle from Greyfriars; curator Dominic Molon discusses dynamic damage and the RISD Museum’s Walead Beshty copper box; curator Elizabeth A. Williams extols the trash-to-treasure alchemy practiced by glass artist Amber Cowan.

Portfolio: Various and assorted combinations and conversions of all that glitters.  

How To: Diming Stella Zhong makes an ancient Roman glass unguentarium before your very eyes.

Artist on Art: Markus Berger and Michael Grugl deliver a bewitching augmented-reality experience, while artist Doreen Garner presents The Phrenological Chart of Black Excellence.  

To purchase Manual, visit risdmuseum.org.

Manual: a journal about art and its making, a twice-yearly publication, uses the collections, exhibitions, and collaborations of the RISD Museum as an impetus for essays and interviews, artist interventions, and archive highlights. A fusion of academic arts journal and design magazine, Manual is a resource for engaged conversations about art, design, and the impact of creative making by curators, artists, scholars, and educators. 

Issue 7: Alchemy is supported in part by a grant from the Rhode Island State Council on the Arts, through an appropriation by the Rhode Island General Assembly and a grant from the National Endowment for the Arts. Additional generous support is provided by the RISD Museum Associates and Sotheby’s. This issue of Manual commemorates the 50th anniversary of the Glass Department at the Rhode Island School of Design.

RISD Museum Director: John W. Smith
Manual Editor-in-chief: Sarah Ganz Blythe
Editor: Amy Pickworth
Graphic Designer: Derek Schusterbauer
Photographer: Erik Gould
ISSN 2329-9193

About the RISD Museum
Southeastern New England’s only comprehensive art museum, the Museum of Art Rhode Island School of Design—also known as the RISD Museum—was established in 1877. Its collection of nearly 100,000 objects includes paintings, sculpture, decorative arts, costume, furniture, and other works of art and design from all over the world, from ancient times to the latest in contemporary art.

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