Haegue Yang, Three Kinds (2008) installation view, Life on Mars, 55th Carnegie International, Pittsburgh. Courtesy the artist and Carnegie Museum of Art. Photo: Tom Little.
HAEGUE YANG: ASSYMETRIC EQUALITY
June 28 – August 24, 2008
Opening reception: Friday, June 27, 6 – 9pm
Artist talk: 6:30pm
Working with non-traditional materials such as customized venetian blinds and sensory devices including lights, infrared heaters, scent emitters, and fans, Yang constructs complex and nuanced installations that collapse the space between the concrete and the fleeting. Yang’s recent works explore the real and metaphorical relationships between her material surroundings and emotional responses, attempting to give form and or meaning to experiences that exist beyond conventional order. Here, she explores the possibility of accessing experiences through her own perceived or constructed relationships to social and political determinants or historical precedent. To this end, her recent work has gravitated toward her thinking about historical figures, including the French novelist and filmmaker Marguerite Duras, whose work explored conditions of colonialism and reflected her commitment to the Résistence as well as the underground Korean revolutionary Kim San and the American journalist Nym Wales, whose encounters with Kim under life-threatening circumstances led to the publication of his biography.
For her first solo exhibition in the U.S., the artist presents a newly commissioned, site-specific installation at REDCAT entitled Asymmetric Equality. The work continues the artist’s exploration of narrativity through abstraction and contemplates the possibility of arriving at some notion of equality through physical and sensorial displacement. As Doryun Chong observes in his catalogue text, Yang is interested in “a kind of ‘potentiality’ which requires an exterior to help what is already there, a kind of ‘dehors’ (‘outside’ in French)…a kind of subjectivity—an agent of suspicion, indignation, and recognition that can see that injustices are necessarily part of reality.” In this sense, her practice grows out of a responsibility she bears as an artist and social being and is an expression of freedom and autonomy achieved through criticality.
This exhibition is accompanied by a bilingual (English and German), 206-page, 4-color catalogue published in collaboration with Sala Rekalde in Bilbao, Spain. The publication includes an introduction by REDCAT acting gallery director and curator Clara Kim, text by German philosopher Marcus Steinweg, an essay by New Museum director and curator of education and public programs Eungie Joo and a dictionary/lexicon by Walker Art Center assistant curator Doryun Chong. The book is designed by Gail Swanlund, Katie Hanburger and Jon Sueda of stripe and will be available in July.
Born 1971 in Seoul, Yang received degrees at the Seoul National University and the Städelschule in Frankfurt am Main, Germany. She participated in Life on Mars, 55th Carnegie International, Pittsburgh; Brave New Worlds, Walker Art Center, Minneapolis; 2006 São Paulo Bienal; the 2004 Busan Biennale; the 2004 Gwangju Biennale; Hérmes Korea Missulsang for Contemporary Korean Art, ArtSonje Center, Seoul; Manifesta 4, Frankfurt am Main. She has recently presented solo exhibitions at Portikus, Frankfrut am Main; Kunstverein Hamburg; Cubitt, London and BAK, Utrecht. Yang lives and works in Berlin and Seoul.
This exhibition is made possible by The Andy Warhol Foundation for the Visual Arts, the Korea Foundation, and Galerie Barbara Wien. Additional support provided by Ingo Kretzschmar and Ilene Kurtz-Kretzschmar.
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REDCAT (Roy and Edna Disney CalArts Theater)
631 West 2nd Street
Los Angeles, CA 90012 USA