Paying a Visit to Mary: 2008 Hall Curatorial Fellowship Exhibition

Paying a Visit to Mary: 2008 Hall Curatorial Fellowship Exhibition

The Aldrich Contemporary Art Museum

Guido van der Werve
Nummer twee-Just because I’m standing here, doesn’t mean I want to
Video still, 2003

Courtesy of the artist; Marc Foxx, Los Angeles; Galerie Juliette Jongma, Amsterdam; Monitor, Rome

January 20, 2010

Paying a Visit to Mary:
2008 Hall Curatorial Fellowship Exhibition

January 31 – June 6, 2010

Opening: January 31, 2010

258 Main Street
Ridgefield, CT 06877

www.aldrichart.org

Paying a Visit to Mary: 2008 Hall Curatorial Fellowship Exhibition at The Aldrich

The Aldrich Contemporary Art Museum is pleased to present Paying a Visit to Mary, an exhibition organized by Canadian curator Maxine Kopsa, a resident of the Netherlands, who is the second recipient of the Hall Curatorial Fellowship.

Paying a Visit to Mary refers to a line from Tell Me, a 1979 play about language by French artist Guy de Cointet that questions how reality is perceived and interpreted. The exhibition will open on January 31 and remain on view through June 6, 2010.

Like the play, the exhibition explores language as it relates to personal narrative and contemporary storytelling. Constructed as a “call and response” between different voices represented by a group of carefully selected contemporary artists, Paying a Visit to Mary tells a romantic, conceptual, and highly specific story of our time and our present human condition. The exhibition is seen as a conversation amongst both the artists and the audience with whom their work engages.

Paying a Visit to Mary is comprised of approximately twenty works by both emerging and more established artists, including Marc Camille Chaimowicz (France); Guy de Cointet and Robert Wilhite (France, United States); Paul Elliman (United Kingdom); Melissa Gordon (United States); Gary Hill (United States); Experimental Jetset (Netherlands); Jonas Ohlsson (Netherlands); Willem Oorebeek (Netherlands); Dexter Sinister (United Kingdom, United States); Guido van der Werve (Netherlands) and Emily Wardill (United Kingdom).

The exhibition utilizes a broad range of media—including performance, film, painting, sculpture, and installation. Curator Maxine Kopsa explains, “As a character in a Balzac short story perfectly summed up, ‘Life is simply a complication of interests and feelings‘—or, a trusting and somewhat cynical network. Paying a Visit to Mary is an attempt to create a seductive setting of various persuasive ‘interests,’ qualifying our present human condition.”

The Aldrich will celebrate the opening of Paying a Visit to Mary on Sunday, January 31, 2010, from 3:30 to 5:30 pm. Following the opening, patrons are invited to join the artist and curator for a live performance of the de Cointet/Wilhite play Iglu and a private reception from 5:30 to 8:30 pm. Doors open at 5 pm. Reservations are required for the performance.

FREE on-site parking is available, as is continuous round-trip transportation from the Metro North Katonah Train Station to the Museum.

The Aldrich is supported, in part, by the Connecticut Commission on Culture & Tourism, the National Endowment for the Arts, and the Institute for Museum and Library Services. Paying a Visit to Mary: The 2008 Hall Curatorial Fellowship Exhibition has been made possible by the generous support of the Andrew J. and Christine C. Hall Foundation and Étant donnés, The French-American Fund for Contemporary Art. The official media sponsors of exhibition openings are Ridgefield Magazine and WSHU Public Radio.

The Curator: The second Hall Curatorial Fellow, Maxine Kopsa (born Toronto, 1972) is an independent Canadian curator who has been based in Amsterdam since 1993. Kopsa is co-founding director of Kunstverein, Amsterdam, an international curatorial franchise, associate editor of the contemporary art magazine Metropolis M, and a tutor at the Werkplaats Typografie, Arnhem. She has contributed to publications such as Frieze, Dot Dot Dot, Framework, and Art on Paper, as well as to various catalogues. Recent exhibitions include Word Event at Kunsthalle Basel and Just in Time, at the Stedelijk Museum, Amsterdam.

The Fellowship: The Hall Curatorial Fellowship, made possible by the generous support of the Andrew J. and Christine C. Hall Foundation, is a biennial program intended to bring an international perspective to The Aldrich’s curatorial practice. The program continues to generate world-wide interest, gaining momentum with the success of the first exhibition, Voice & Void. The 2008 Hall Fellow was selected by an independent jury of distinguished art world professionals, including Carlos Basualdo, curator of contemporary art at the Philadelphia Museum of Art; Bonnie Clearwater, director and chief curator at the Museum of Contemporary Art, North Miami; and Sir Norman Rosenthal, former exhibitions secretary of the Royal Academy, London. The jurors selected Kopsa from a pool of applicants that included curators from Australia, Belgium, Finland, France, Germany, Japan, Pakistan, Norway, Romania, Switzerland, and the United Kingdom.

The Museum: The Aldrich is one of the few non-collecting contemporary art museums in the United States. Founded on Ridgefield’s historic Main Street in 1964, the Museum enjoys the curatorial independence of an alternative space while maintaining the registrarial and art-handling standards of a national institution. Exhibitions feature work by emerging and mid-career artists, and education programs help adults and children to connect to today’s world through contemporary art. The Museum is located at 258 Main Street, Ridgefield, CT 06877. All exhibitions and programs are handicapped accessible. Free on-site parking. Regular Museum hours are Tuesday through Sunday, 12 noon to 5 pm. For more information call 203.438.4519.

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