Signals in the Dark: Art in the Shadow of War
Signals in the Dark:
Art in the Shadow of War
March 15th – May 3rd, 2009
Model Satellite space at Castle House
Signals in the Dark: Art in the Shadow of War involves international artists who are responding to war and its contemporary representations. Held as an inter-disciplinary project, this project includes an exhibition, an extensive film/video program, a catalogue, and a public forum on the subject.
Investigating the interstices between perpetual war, dominant politics, and military aesthetics, this project confronts issues of global warfare, how it is imaged, and how it is imagined. The exhibition presents artists who are responding to these representations of war through informed critique. While a number of artists produce analyses or outraged expressions arising from their own or others’ experiences of war, other artists challenge the spectacle of contemporary war, its veracity and, ultimately, its intertwinement within a New World Order.
Maja Bajević (Bosnia)
Bureau d’etudes (France)
Paul Chan (USA)
Köken Ergun (Turkey)
Harun Farocki (Germany)
Omer Fast (Israel/USA)
Kendell Geers (South Africa)
Johan Grimonprez (Belgium)
Jamelie Hassan (Canada)
Kristan Horton (Canada)
Abdel-Karim Khalil (Iraq)
Anri Sala (Albania)
Sonja Savić (Serbia)
Sean Snyder (USA/Germany)
Ron Terada (Canada)
This exhibition is dedicated to the memory of Sonja Savić (1961-2008).
Public Curator Tours will be scheduled throughout the exhibition.
The Model Niland is currently undergoing a major redevelopment, which will see it grow by a third in size, introduce new artists studios, include a new performance space, and expand to a suite of new galleries. The Model Niland reopens in Autumn 2009. To support us, please visit our website.
The Model Niland gratefully acknowledges the support of the Arts Council of Ireland and the Sligo and Borough County Council, and the cooperation of the Blackwood Gallery.
Anri Sala, Naturalmystic (tomahawk # 2), 2002, Courtesy of the artist and Marian Goodman Gallery
Jamelie Hassan, Because there was and there wasn’t a city of Baghdad, 1991, Courtesy of the Morris and Helen Belkin Gallery
Bureau d’etudes, Bohemian Club, 2005, Courtesy of the artists
Köken Ergun, I, Soldier, 2005
Johan Grimonprez, DIAL H-I-S-T-O-R-Y, 1997 Both courtesy of Netherlands Media Art Institute, Montevideo/TBA
Paul Chan, Tin Drum Trilogy, 2002-2005, Courtesy of Greene Naftali Gallery