Pierre Huyghe at Marian Goodman, Paris Filipa Ramos puts her head into Pierre Huyghe’s Cloud at Marian Goodman, Paris, and comes out sensing confabulatory desire, or something very near like it. read here Frederick Loomis presents Edward Mathew Taylor at White Columns, New York Antek Walczak is kraftwerking with Marc Jacobs and the kooky Frederick Loomis at White Columns: find out why. read here Karl Haendel’s “My Invisible Friend” at Tony Wight Gallery, Chicago When is a suit of armor more than just a suit of armor? Michelle Grabner deciphers the possible meanings in Karl Haendel’s “Invisible Friend” in Chicago. read here Luc Tuymans’s “Corporate” at David Zwirner, New York Paddy Johnson takes a crack at Luc Tuyman’s latest at David Zwirner—riding “the line between quiet and inert.” read here Thomas Struth at Galerie Max Hetzler, Berlin Whether in paradise or the museum, Thomas Struth involves the spectator in compositions of the un-seen. At Max Hetzler, Michele Faguet seeks out the “metonyms of the absent subject,” as he takes us deep into the bowels of machinery. read here Artissima 17: Lingotto Fiere in Turin Aoife Rosenmeyer heads south to Artissima to find out if the direction taken on by new fair director Francesco Manacorda might be seen “as Machiavellian mining of unexploited market niches”? read here Abraham Cruzvillegas’s “La Petite Ceinture” at Galerie Chantal Crousel, Paris Chris Sharp tells us why Abraham Cruzvillegas’s “vast, wonky, constructivist sculpture” at Chantal Crousel hides bits and pieces of “Whip It!” Devo too. read here Angus Fairhurst at Sadie Coles HQ, London Karen Archey takes a look at the recontextualization of Angus Fairhurst’s gorillas when put in the hands of the YBAs at Sadie Coles HQ. read here Danh Vo’s “All your deeds shall in water be writ, but this in marble” at Isabella Bortolozzi Galerie, Berlin Ana Teixeira Pinto takes a tour of the brief history of Dahn Vo, ending up at a grave marker for his father (via a 19th century English poet’s headstone and a 17th century play), only to discover “the man without qualities.” read here Follow Art-Agenda on Facebook and Twitter.