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  • Julieta Aranda, Brian Kuan Wood, Anton Vidokle

  • Keti Chukhrov

    Sexuality in a Non-Libidinal Economy

    The argument goes, since sexuality is the epitome of liberation, and since sexuality can never be absent from any society, sexuality is always at least latently embedded in any society as the potential for freedom—freedom from prejudices, power, control, and so forth. However, judging by statistical data, the rate of sexual intercourse under socialism may have been even higher than under capitalism.

  • Boris Groys

    Poetics of Entropy: The Post-Suprematist Art of Mladen Stilinović

    The artist rejects any attempt to give this drift toward anarchy and chaos any definite direction, to let it culminate in any new order. Socialism collapses. Capitalism triumphs. But the process of entropy goes on. Stilinović now demystifies money as he had earlier demystified party language. After all, money is also merely images, signs among other signs.

  • Ana Ofak

    Gentleman Next Door: Antonio G. Lauer, a.k.a. Tomislav Gotovac, and the Man Undressed in Times of Socialism

    On the cover, Gotovac superimposed a shot of himself holding open his trench coat—a glowing five-pointed star cut out of his forehead—over the letters T-O-M. His exposed penis dangles neatly below the Glen Miller T-shirt he is wearing. This Tom character—a cinephile punk—is joined by three other portraits inside the paper: Tom the security agency worker, Tom the pinup, and Tom the superhero. They all pay homage to the absurd adventures of a country facing its brutal fall, while still enjoying the last convulsions of socialism.

  • Geert Lovink

    Hermes on the Hudson: Notes on Media Theory after Snowden

    In 2014, we’re torn between the seductive aspect of coming together and the fear that we are consciously producing evidence that will be used against us. Let’s move away from the binary logic of online/offline, of participation/exodus, and instead design other forms of social interaction and organization together, based on sustainable exchanges, strong ties, and a sensual imagination that allows us to transcend the given cultural formats (from edu-factory formats to Facebook).

  • Ross Wolfe

    Repetition-Compulsion: World-Historical Rhythms in Architecture

    Repetition in architecture today, as in every other cultural sphere, attests to the historical impasse at which society has lingered for almost a century. Architects find themselves forced to recycle, reorder, and repeat novelties of the past in order to remain “cutting-edge” in the present. No longer does the steady march of technological progress provide a path for architecture to follow.

  • Walid Raad

    Index XXVI: Red

    If, like me, you have experienced telepathic reception, then you know that you can never trust telepathic signals, because telepathic signals are always accompanied by something else. They are always accompanied by telepathic noise.

  • Stephen Squibb

    Genres of Capitalism, Part II

    Absent the awareness of the different levels of analysis at work in political economy, “capitalism” inevitably elevates distinct and conflicting relations within and between the modes of consumption, circulation, production, and distribution, confusing them with an overwhelming para-natural force: the creation of surplus value, or what I have called “alchemy.” The result is that, in one way or another, every “capitalism” is always already a spiritualism, a mystification that places the actual levers of collective emancipation out of reach.

  • E. C. Feiss

    Response to Grant Kester’s “The Device Laid Bare”

    Kester’s text leaves more troubling questions unaddressed: Who can “see” shifts in power? Just as you cannot “see,” or for that matter witness, the workings (and embedded hierarchies) of a right, as Brown’s work so adeptly lays out, I would argue that attempting a diachronic analysis, as Kester calls for, must start with how the project articulates its own demands.