View all Issues Distribution Books Colophon Letters to the Editor Print
Paul Chan

What Art Is and Where it Belongs

The first piece of art I ever bought was a small painting of a dead DJ. Walking down the street in New York one day, I came across a man selling small- and medium-sized portraits of slain hip-hop artists, casually displayed on the sidewalk. They were painted in bright, simple colors. The one that caught my eye was Tribute to Jam-Master Jay, which I assumed to be the title because it was written in thick gold paint on the lower left corner of the painting. Months before, Jay, the DJ for the pioneering rap crew RUN-DMC, was tragically shot and killed inside a recording studio in Queens. In the work he once again stood proudly, wearing the iconic black T-shirt, fedora hat, and, around his neck, the standard-issue gold chain, thick as a boa constrictor. I bought the painting for thirty dollars.

It took me months to figure out where to hang it in my bare apartment. There was plenty of wall space: nothing was up. But no place felt right. One wall was too bumpy and another wall was too water-damaged. The kitchen area looked too cramped and the space next to the worktable was too dark. Jam-Master Jay had nowhere to go. I had no clue as to where the painting could fit in my apartment. Only much later did I realize why. It had never occurred to me that art belonged in a home.

1 T. W. Adorno, Aesthetic Theory, trans. Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1998), 1.

2 Sometimes I humor the cashier by filling out the membership form with Dick Cheney’s name and his last known home address in Virginia.

Paul Chan is an artist who lives in New York. His solo exhibition Sade for Sade’s Sake continues through December 5, 2009 at Greene Naftali Gallery in New York. Chan is found online at www.nationalphilistine.com.

Moderna Museet
17
3
6
13
9
16
7
Schirn Kunsthalle
KHSH
18