Julieta Aranda, Brian Kuan Wood, Anton Vidokle
What is Contemporary Art? Issue OneZdenka Badovinac
Contemporaneity as Points of ConnectionBoris Groys
Comrades of TimeJörg Heiser
Torture and Remedy: The End of -isms and the Beginning Hegemony of the ImpureHu Fang
New Species of SpacesCarol Yinghua Lu
Back to Contemporary: One Contemporary Ambition, Many WorldsDieter Roelstraete
What is Not Contemporary Art?: The View from Jena
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialSherif El-Azma
The Psychogeography of Loose AssociationsLuis Camnitzer
ALPHABETIZATION, Part II: Hegemonic Language and Arbitrary OrderPaul Chan
What Art Is and Where it BelongsCeline Condorelli
Life Always EscapesPeter Friedl
Secret ModernityHans Ulrich Obrist
Ever SperoHito Steyerl
In Defense of the Poor Image
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFrançois Bucher
Subjects of the American Moon: From Studio as Reality to Reality as StudioLuis Camnitzer
ALPHABETIZATION, Part I: Protocol and ProficiencyJill Magid
Becoming Tarden — PrologueNina Möntmann
(Under)Privileged Spaces: On Martha Rosler’s “If You Lived Here...”Simon Sheikh
Positively Trojan Horses Revisited
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialAnselm Franke
Across the Rationalist VeilBarbad Golshiri
For They Know What They Do KnowBilal Khbeiz
Modernity’s Obsession with Systems of PreservationSven Lütticken
Viewing Copies: On the Mobility of Moving ImagesMarion von Osten
Irene ist Viele! Or What We Call “Productive” Forces
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 4 of 4 (Guest-Starring Annika Eriksson)Boris Groys
Self-Design and Aesthetic ResponsibilityRaqs Media Collective
Earthworms Dancing: Notes for a Biennial in Slow MotionOmnia El Shakry
Artistic Sovereignty in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth SalonHito Steyerl
Is a Museum a Factory?Monika Szewczyk
Art of Conversation, Part IIBrian Kuan Wood
A Universalism for EveryonePauline J. Yao
A Game Played Without Rules Has No Losers
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialZdenka Badovinac
What Will the Next Revolution Be Like?Michael Baers
Concerning Matters to be Left for a Later Date, Part 3 of 4 (Guest-Starring Alexandra Croitoru and Stefan Tiron)Gean Moreno and Ernesto Oroza
Learning from Little HaitiHans Ulrich Obrist
In Conversation with Raoul VaneigemMarion von Osten
Architecture Without Architects—Another Anarchist ApproachDieter Roelstraete
After the Historiographic Turn: Current FindingsMariana Silva and Pedro Neves Marques
The Escape Route’s Design: Assessment of the Impact of Current Aesthetics on History and a Comparative Reading Based on an Example Close to the City of Berlin
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 2 of 4 (Guest-Starring Pia Rönicke)Natascha Sadr Haghighian
Sleepwalking in a Dialectical Picture Puzzle, Part 2: A Conversation with Thomas KeenanCarol Yinghua Lu
Don’t Stop: Doing Art Potluck StyleMetahaven
Europe Sans: History, Politics, and Protocol in the EU ImageSimon Sheikh
Positively Counter-Publics RevisitedSean Snyder
Disobedience in Byelorussia: Self-Interrogation on “Research-Based Art”
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 1 of 4Elena Filipovic
A Museum That is NotBoris Groys
Religion in the Age of Digital ReproductionSilvia Kolbowski
Two in OneDieter Lesage
The Academy is Back: On Education, the Bologna Process, and the Doctorate in the ArtsDieter Roelstraete
The Way of the Shovel: On the Archeological Imaginary in Art
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialLuis Camnitzer
Art and LiteracyLiam Gillick
Maybe it would be better if we worked in groups of three? Part 2 of 2: The Experimental FactoryNatascha Sadr Haghighian
Sleepwalking in a Dialectical Picture Puzzle, Part 1: A Conversation with Avery GordonTom Holert
Art in the Knowledge-based PolisBilal Khbeiz
Gaza–Beirut–Tel Aviv: In Praise of Selfishness and OpportunismSimon Sheikh
Positively White Cube RevisitedMonika Szewczyk
Art of Conversation, Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialDaniel Birnbaum and Anders Olsson
An Interview with Jacques Derrida on the Limits of DigestionLiam Gillick
Maybe it would be better if we worked in groups of three? Part 1 of 2: The DiscursiveBoris Groys
Politics of InstallationMarina Gržinić
Drawing a Border (Reartikulacija, Part 3 of 3)Hassan Khan
RANTSilvia Kolbowski
“When Even Good News Worsens a Panic”
