Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialGeert Lovink
What Is the Social in Social Media?Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, and Branka Stipančić
Conceptual Art and Eastern Europe: Part IAnton Vidokle
In Conversation with Ilya and Emilia KabakovHu Fang
The Door to Slow SunsetFranco Berardi Bifo
Nightmares and Screens: Notes on Two Movies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
Emancipation of the Sign: Poetry and Finance During the Twentieth CenturyJodi Dean
Democracy: A Knot of Hope and DespairJalal Toufic
The Resurrected Brother of Mary and Martha: A Human Who Resurrected God!Mark Beasley
Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s MusicMichael Baers
Michael Asher (1943–2012): Parting Words and Unfinished Work
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Editorial—“Structural Violence”Sven Lütticken
Inside AbstractionJon Rich
Facebook: A Court of Ignorant, Cruel JudgesBilal Khbeiz
In Praise of Books: When Authorities Close a Prison, They Foil a Revolution!Hito Steyerl
Missing People: Entanglement, Superposition, and Exhumation as Sites of IndeterminacyEyal Weizman
665: The Least of All Possible EvilsPelin Tan
Breaking the Social ContractMetahaven
Captives of the Cloud: Part IICuauhtémoc Medina
A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialLawrence Liang
Shadow LibrariesMetahaven
Captives of the Cloud: Part IAmelia Groom
There’s Nothing to See Here: Erasing the MonochromeNato Thompson
The Last Pictures: Interview with Trevor PaglenClaire Tancons
Carnival to Commons: Pussy Riot Punk Protest and the Exercise of Democratic CultureAnton Vidokle and Brian Kuan Wood
Breaking the Contract
Anselm Franke
Introduction—“Animism”Isabelle Stengers
Reclaiming AnimismHarry Garuba
On Animism, Modernity/ Colonialism, and the African Order of Knowledge: Provisional ReflectionsSpyros Papapetros
Darwin’s Dog and the Parasol: Cultural Reactions to AnimismDiedrich Diederichsen
Animation, De-reification, and the New Charm of the InanimateMichael Taussig
The Stories Things Tell And Why They Tell ThemAnselm Franke
Animism: Notes on an ExhibitionAngela Melitopoulos and Maurizio Lazzarato
Assemblages: Félix Guattari and Machinic AnimismRane Willerslev
Laughing at the Spirits in North Siberia: Is Animism Being Taken too Seriously?Alejandro Haber
Severo’s Severity and Antolín’s ParadoxCornelius Borck
Animism in the Sciences Then and NowTom Holert
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialElizabeth A. Povinelli
After the Last Man: Images and Ethics of Becoming OtherwiseBilal Khbeiz
Dubai: A City Manufactured by CuriosityBoris Groys
Under the Gaze of TheorySotirios Bahtsetzis
Eikonomia: Notes on Economy and the Labor of ArtIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part IIJohn Miller
Politics of Hate in the USA, Part III: Posse Comitatus, Grassroots Rebellion, and Secret Societies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialBilal Khbeiz
Escaping From Exile by Belonging to an Exiled LandInke Arns
The Nigerian Connection: On NSK Passports as Escape and Entry VehiclesMichael Baers
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part IIJohn Miller
Politics of Hate in the USA, Part II: Right-wing Mysticism and BeliefsMladen Dolar
Hegel and FreudSlavoj Žižek
Hegel on MarriageIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part IJohn Miller
Politics of Hate in the USA, Part I: Repressive ToleranceAlenka Zupančič
Not-Mother: On Freud’s VerneinungMladen Dolar
One Divides into TwoHans Ulrich Obrist
In Conversation with Adam Curtis, Part IIMartha Rosler
The Artistic Mode of Revolution: From Gentrification to Occupation
Julieta Aranda, Aaron Schuster, Anton Vidokle, Brian Kuan Wood
EditorialHans Ulrich Obrist
In Conversation with Adam Curtis, Part IAlenka Zupančič
Sexual Difference and OntologySlavoj Žižek
Hegel versus HeideggerHito Steyerl
The Spam of the Earth: Withdrawal from RepresentationGean Moreno
Notes on the Inorganic, Part II: Terminal Velocity
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialKeller Easterling
An Internet of ThingsGean Moreno
Notes on the Inorganic, Part I: AccelerationsGregory Sholette
After OWS: Social Practice Art, Abstraction, and the Limits of the SocialSven Lütticken
General PerformanceGrant Kester
The Sound of Breaking Glass, Part II: Agonism and the Taming of Dissent
