Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialBernardo Ortiz Campo
Criticism and ExperienceAdam Kleinman
Tempus Edax Rerum?Elisabeth Lebovici
The Death of the Audience: A Conversation with Pierre Bal-BlancSven Lütticken
Art and Thingness, Part I: Breton’s Ball and Duchamp’s CarrotNataša Petrešin-Bachelez
Innovative Forms of Archives, Part One: Exhibitions, Events, Books, Museums, and Lia Perjovschi’s Contemporary Art ArchiveMonika Szewczyk
Negation Notes (while working on an exhibition with Allan Sekula featuring This Ain’t China: A Photonovel)
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialLuis Camnitzer
Art and LiteracyLiam Gillick
Maybe it would be better if we worked in groups of three? Part 2 of 2: The Experimental FactoryNatascha Sadr Haghighian
Sleepwalking in a Dialectical Picture Puzzle, Part 1: A Conversation with Avery GordonTom Holert
Art in the Knowledge-based PolisBilal Khbeiz
Gaza–Beirut–Tel Aviv: In Praise of Selfishness and OpportunismSimon Sheikh
Positively White Cube RevisitedMonika Szewczyk
Art of Conversation, Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 4 of 4 (Guest-Starring Annika Eriksson)Boris Groys
Self-Design and Aesthetic ResponsibilityRaqs Media Collective
Earthworms Dancing: Notes for a Biennial in Slow MotionOmnia El Shakry
Artistic Sovereignty in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth SalonHito Steyerl
Is a Museum a Factory?Monika Szewczyk
Art of Conversation, Part IIBrian Kuan Wood
A Universalism for EveryonePauline J. Yao
A Game Played Without Rules Has No Losers
