Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
I Want to Think: POST-UBoris Groys
Art and MoneyHu Fang
Wittgenstein HousePrecarious Workers Brigade
Fragments Toward an Understanding of a Week that Changed Everything…Dieter Roelstraete
On Leaving the Building: Thoughts of the OutsideSimon Sheikh
Positively Representation of Banking RevisitedHito Steyerl
In Free Fall: A Thought Experiment on Vertical Perspective
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialPaul Chan
The Unthinkable CommunityDiedrich Diederichsen
Music—Immateriality—ValueLiam Gillick
The Good of WorkHu Fang
Wu Yongfang, the Hunger ArtistBilal Khbeiz
Michael Jackson Died for No Reason (and the Vampire that is His Life)Sven Lütticken
Art and Thingness, Part III: The Heart of the Thing is the Thing We Don’t KnowNataša Petrešin-Bachelez
Innovative Forms of Archives, Part Two: IRWIN’s East Art Map and Tamás St. Auby’s Portable Intelligence Increase MuseumDieter Roelstraete
(Jena Revisited) Ten Tentative TenetsAnton Vidokle
Art Without Artists?- An Open Letter to Clifford Irving
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
What is Contemporary Art? Issue OneZdenka Badovinac
Contemporaneity as Points of ConnectionBoris Groys
Comrades of TimeJörg Heiser
Torture and Remedy: The End of -isms and the Beginning Hegemony of the ImpureHu Fang
New Species of SpacesCarol Yinghua Lu
Back to Contemporary: One Contemporary Ambition, Many WorldsDieter Roelstraete
What is Not Contemporary Art?: The View from Jena
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 1 of 4Elena Filipovic
A Museum That is NotBoris Groys
Religion in the Age of Digital ReproductionSilvia Kolbowski
Two in OneDieter Lesage
The Academy is Back: On Education, the Bologna Process, and the Doctorate in the ArtsDieter Roelstraete
The Way of the Shovel: On the Archeological Imaginary in Art
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialDieter Roelstraete
The Business: On the Unbearable Lightness of ArtRasmus Fleischer
How Music Takes Place: Excerpts From “The Post-digital Manifesto”Hans Ulrich Obrist
In Conversation with Nawal El SaadawiAdam Kleinman
On Sophia Al-Maria’s The Girl Who Fell to EarthJames T. Hong
From Guilt to Sickness, Part I: Looking for Plague in All the Right PlacesIrmgard Emmelhainz
Art and the Cultural Turn: Farewell to Committed, Autonomous Art?
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialZdenka Badovinac
What Will the Next Revolution Be Like?Michael Baers
Concerning Matters to be Left for a Later Date, Part 3 of 4 (Guest-Starring Alexandra Croitoru and Stefan Tiron)Gean Moreno and Ernesto Oroza
Learning from Little HaitiHans Ulrich Obrist
In Conversation with Raoul VaneigemMarion von Osten
Architecture Without Architects—Another Anarchist ApproachDieter Roelstraete
After the Historiographic Turn: Current FindingsMariana Silva and Pedro Neves Marques
The Escape Route’s Design: Assessment of the Impact of Current Aesthetics on History and a Comparative Reading Based on an Example Close to the City of Berlin
