Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialSvetlana Boym
The Off-Modern MirrorDiedrich Diederichsen
People of Intensity, People of Power: The Nietzsche EconomyBoris Groys
Marx After Duchamp, or The Artist’s Two BodiesPark Chan-Kyong
On Sindoan: Some Scattered Views on Tradition and “The Sublime”Jalal Toufic
What Is the Sum of Recurrently?
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialPaul Chan
The Unthinkable CommunityDiedrich Diederichsen
Music—Immateriality—ValueLiam Gillick
The Good of WorkHu Fang
Wu Yongfang, the Hunger ArtistBilal Khbeiz
Michael Jackson Died for No Reason (and the Vampire that is His Life)Sven Lütticken
Art and Thingness, Part III: The Heart of the Thing is the Thing We Don’t KnowNataša Petrešin-Bachelez
Innovative Forms of Archives, Part Two: IRWIN’s East Art Map and Tamás St. Auby’s Portable Intelligence Increase MuseumDieter Roelstraete
(Jena Revisited) Ten Tentative TenetsAnton Vidokle
Art Without Artists?- An Open Letter to Clifford Irving
Anselm Franke
Introduction—“Animism”Isabelle Stengers
Reclaiming AnimismHarry Garuba
On Animism, Modernity/ Colonialism, and the African Order of Knowledge: Provisional ReflectionsSpyros Papapetros
Darwin’s Dog and the Parasol: Cultural Reactions to AnimismDiedrich Diederichsen
Animation, De-reification, and the New Charm of the InanimateMichael Taussig
The Stories Things Tell And Why They Tell ThemAnselm Franke
Animism: Notes on an ExhibitionAngela Melitopoulos and Maurizio Lazzarato
Assemblages: Félix Guattari and Machinic AnimismRane Willerslev
Laughing at the Spirits in North Siberia: Is Animism Being Taken too Seriously?Alejandro Haber
Severo’s Severity and Antolín’s ParadoxCornelius Borck
Animism in the Sciences Then and NowTom Holert
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialDiedrich Diederichsen
Radicalism as Ego Ideal: Oedipus and NarcissusHans Ulrich Obrist
In Conversation with Julian Assange, Part ISuely Rolnik
Avoiding False Problems: Politics of the Fluid, Hybrid, and FlexibleMartha Rosler
Culture Class: Art, Creativity, Urbanism, Part III
