Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
The Future After the End of the EconomyHito Steyerl
Art as Occupation: Claims for an Autonomy of LifeClaire Tancons
Occupy Wall Street: Carnival Against Capital? Carnivalesque as Protest SensibilityGrant Kester
The Sound of Breaking Glass, Part I: Spontaneity and Consciousness in Revolutionary TheoryPaul Chan
A Lawless PropositionJalal Toufic
The Resurrected Brother of Mary and Martha: A Human Who Lived then Died!Sotirios Bahtsetzis
The Time That Remains, Part II: How to Repeat the Avant-Garde
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialSvetlana Boym
The Off-Modern MirrorDiedrich Diederichsen
People of Intensity, People of Power: The Nietzsche EconomyBoris Groys
Marx After Duchamp, or The Artist’s Two BodiesPark Chan-Kyong
On Sindoan: Some Scattered Views on Tradition and “The Sublime”Jalal Toufic
What Is the Sum of Recurrently?
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
Emancipation of the Sign: Poetry and Finance During the Twentieth CenturyJodi Dean
Democracy: A Knot of Hope and DespairJalal Toufic
The Resurrected Brother of Mary and Martha: A Human Who Resurrected God!Mark Beasley
Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s MusicMichael Baers
Michael Asher (1943–2012): Parting Words and Unfinished Work
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialSotirios Bahtsetzis
The Time That Remains, Part I: On Contemporary NihilismJalal Toufic
The Contemporary Is Still ForthcomingJan Verwoert
World as Medium: On the Work of Stano FilkoAntke Engel
Queer Temporalities and the Chronopolitics of Transtemporal DragJoshua Simon
Neo-Materialism, Part Three: The Language of CommoditiesMona Mahall
Eupalinos and the Duck: Conceptualism in Recent Architecture- Letters to the Editors: Responses to Jon Rich’s “The Blood of the Victim”
