Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
The Future After the End of the EconomyHito Steyerl
Art as Occupation: Claims for an Autonomy of LifeClaire Tancons
Occupy Wall Street: Carnival Against Capital? Carnivalesque as Protest SensibilityGrant Kester
The Sound of Breaking Glass, Part I: Spontaneity and Consciousness in Revolutionary TheoryPaul Chan
A Lawless PropositionJalal Toufic
The Resurrected Brother of Mary and Martha: A Human Who Lived then Died!Sotirios Bahtsetzis
The Time That Remains, Part II: How to Repeat the Avant-Garde
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Editorial—“Alternative Economies”Lawrence Liang
Is it a Bird? A Plane? No, it’s a Magic ChairRaqs Media Collective
Planktons in the Sea: A Few Questions Regarding the Qualities of TimeElizabeth A. Povinelli
Routes/WorldsFranco Berardi Bifo
Time, Acceleration, and ViolencePaul Glover
Anti-Monopoly Money
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
I Want to Think: POST-UBoris Groys
Art and MoneyHu Fang
Wittgenstein HousePrecarious Workers Brigade
Fragments Toward an Understanding of a Week that Changed Everything…Dieter Roelstraete
On Leaving the Building: Thoughts of the OutsideSimon Sheikh
Positively Representation of Banking RevisitedHito Steyerl
In Free Fall: A Thought Experiment on Vertical Perspective
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
Exhaustion and Senile Utopia of the Coming European InsurrectionEkaterina Degot
A Letter from Donetsk: Art Amidst the RosesLiam Gillick
Contemporary art does not account for that which is taking placeHans Ulrich Obrist
In Conversation with Hakim BeyMartha Rosler
Culture Class: Art, Creativity, Urbanism, Part IHito Steyerl
Politics of Art: Contemporary Art and the Transition to Post-Democracy
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
Cognitarian SubjectivationKeti Chukhrov
Towards the Space of the General: On Labor beyond Materiality and ImmaterialityJoshua Simon
Neo-Materialism, Part I: The Commodity and the ExhibitionSimon Sheikh
Positively Protest Aesthetics RevisitedNato Thompson
Contractions of Time: On Social Practice from a Temporal Perspective
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
Emancipation of the Sign: Poetry and Finance During the Twentieth CenturyJodi Dean
Democracy: A Knot of Hope and DespairJalal Toufic
The Resurrected Brother of Mary and Martha: A Human Who Resurrected God!Mark Beasley
Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s MusicMichael Baers
Michael Asher (1943–2012): Parting Words and Unfinished Work
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialGeert Lovink
What Is the Social in Social Media?Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, and Branka Stipančić
Conceptual Art and Eastern Europe: Part IAnton Vidokle
In Conversation with Ilya and Emilia KabakovHu Fang
The Door to Slow SunsetFranco Berardi Bifo
Nightmares and Screens: Notes on Two Movies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialJoana Hadjithomas and Khalil Joreige
On the Lebanese Rocket SocietyFranco Berardi Bifo
Pasolini in TottenhamJames T. Hong
From Guilt to Sickness, Part II: The Bite of a Dog into a StoneMarina Vishmidt
“Mimesis of the Hardened and Alienated”: Social Practice as Business ModelAnton Vidokle
Art without Market, Art without Education: Political Economy of ArtMarina Gržinić
A Refugee Protest Camp in Vienna And the European Union’s Processes of Racialization, Seclusion, and Discrimination
