Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialFranco Berardi Bifo
I Want to Think: POST-UBoris Groys
Art and MoneyHu Fang
Wittgenstein HousePrecarious Workers Brigade
Fragments Toward an Understanding of a Week that Changed Everything…Dieter Roelstraete
On Leaving the Building: Thoughts of the OutsideSimon Sheikh
Positively Representation of Banking RevisitedHito Steyerl
In Free Fall: A Thought Experiment on Vertical Perspective
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialSvetlana Boym
The Off-Modern MirrorDiedrich Diederichsen
People of Intensity, People of Power: The Nietzsche EconomyBoris Groys
Marx After Duchamp, or The Artist’s Two BodiesPark Chan-Kyong
On Sindoan: Some Scattered Views on Tradition and “The Sublime”Jalal Toufic
What Is the Sum of Recurrently?
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialBoris Groys
The Weak UniversalismLars Bang Larsen
Zombies of Immaterial Labor: The Modern Monster and the Death of DeathSven Lütticken
Art and Thingness, Part Two: ThingificationGean Moreno
Farewell to Function: Tactical InteriorsHito Steyerl
A Thing Like You and Me
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
What is Contemporary Art? Issue OneZdenka Badovinac
Contemporaneity as Points of ConnectionBoris Groys
Comrades of TimeJörg Heiser
Torture and Remedy: The End of -isms and the Beginning Hegemony of the ImpureHu Fang
New Species of SpacesCarol Yinghua Lu
Back to Contemporary: One Contemporary Ambition, Many WorldsDieter Roelstraete
What is Not Contemporary Art?: The View from Jena
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 4 of 4 (Guest-Starring Annika Eriksson)Boris Groys
Self-Design and Aesthetic ResponsibilityRaqs Media Collective
Earthworms Dancing: Notes for a Biennial in Slow MotionOmnia El Shakry
Artistic Sovereignty in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth SalonHito Steyerl
Is a Museum a Factory?Monika Szewczyk
Art of Conversation, Part IIBrian Kuan Wood
A Universalism for EveryonePauline J. Yao
A Game Played Without Rules Has No Losers
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 1 of 4Elena Filipovic
A Museum That is NotBoris Groys
Religion in the Age of Digital ReproductionSilvia Kolbowski
Two in OneDieter Lesage
The Academy is Back: On Education, the Bologna Process, and the Doctorate in the ArtsDieter Roelstraete
The Way of the Shovel: On the Archeological Imaginary in Art
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialOmer Fast
Take a Deep BreathBoris Groys
The Obligation to Self-DesignBilal Khbeiz
Los Angeles: The Invention of Public WeatherSebastjan Leban
Conditioned Contemporaneity (Reartikulacija, Part 1 of 3)Marjetica Potrč
New Territories in Acre and Why They MatterRaqs Media Collective
Stammer, Mumble, Sweat, Scrawl, and TicIrit Rogoff
Turning
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialDaniel Birnbaum and Anders Olsson
An Interview with Jacques Derrida on the Limits of DigestionLiam Gillick
Maybe it would be better if we worked in groups of three? Part 1 of 2: The DiscursiveBoris Groys
Politics of InstallationMarina Gržinić
Drawing a Border (Reartikulacija, Part 3 of 3)Hassan Khan
RANTSilvia Kolbowski
“When Even Good News Worsens a Panic”
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialElizabeth A. Povinelli
After the Last Man: Images and Ethics of Becoming OtherwiseBilal Khbeiz
Dubai: A City Manufactured by CuriosityBoris Groys
Under the Gaze of TheorySotirios Bahtsetzis
Eikonomia: Notes on Economy and the Labor of ArtIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part IIJohn Miller
Politics of Hate in the USA, Part III: Posse Comitatus, Grassroots Rebellion, and Secret Societies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Editorial—‟Language and Internet”Hito Steyerl
International Disco LatinMartha Rosler
English and All ThatGeert Lovink
After the Social Media Hype: Dealing with Information OverloadAna Teixeira Pinto
The Whole Earth: In Conversation with Diedrich Diederichsen and Anselm FrankeAbou Farman
Towards a Post-Secular Aesthetics: Provocations for Possible Media in Afterlife ArtNatasha Ginwala and Vivian Ziherl
Sensing Grounds: Mangroves, Unauthentic Belonging, Extra-TerritorialityBrian Kuan Wood
We Are the WeatherBoris Groys
Art Workers: Between Utopia and the Archive
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
PrefaceBoris Groys
Introduction—Global Conceptualism RevisitedEkaterina Degot
Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art ObjectTerry Smith
One and Three Ideas: Conceptualism Before, During, and After Conceptual ArtKeti Chukhrov
Soviet Material Culture and Socialist Ethics in Moscow ConceptualismAnton Vidokle
Art without Work?Sarah Wilson
Moscow Romantic Exceptionalism: The Suspension of DisbeliefClaire Bishop
Zones of Indistinguishability: Collective Actions Group and Participatory ArtJörg Heiser
Moscow, Romantic, Conceptualism, and After
