Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialPaul Chan
The Unthinkable CommunityDiedrich Diederichsen
Music—Immateriality—ValueLiam Gillick
The Good of WorkHu Fang
Wu Yongfang, the Hunger ArtistBilal Khbeiz
Michael Jackson Died for No Reason (and the Vampire that is His Life)Sven Lütticken
Art and Thingness, Part III: The Heart of the Thing is the Thing We Don’t KnowNataša Petrešin-Bachelez
Innovative Forms of Archives, Part Two: IRWIN’s East Art Map and Tamás St. Auby’s Portable Intelligence Increase MuseumDieter Roelstraete
(Jena Revisited) Ten Tentative TenetsAnton Vidokle
Art Without Artists?- An Open Letter to Clifford Irving
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialAnselm Franke
Across the Rationalist VeilBarbad Golshiri
For They Know What They Do KnowBilal Khbeiz
Modernity’s Obsession with Systems of PreservationSven Lütticken
Viewing Copies: On the Mobility of Moving ImagesMarion von Osten
Irene ist Viele! Or What We Call “Productive” Forces
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialLuis Camnitzer
Art and LiteracyLiam Gillick
Maybe it would be better if we worked in groups of three? Part 2 of 2: The Experimental FactoryNatascha Sadr Haghighian
Sleepwalking in a Dialectical Picture Puzzle, Part 1: A Conversation with Avery GordonTom Holert
Art in the Knowledge-based PolisBilal Khbeiz
Gaza–Beirut–Tel Aviv: In Praise of Selfishness and OpportunismSimon Sheikh
Positively White Cube RevisitedMonika Szewczyk
Art of Conversation, Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialOmer Fast
Take a Deep BreathBoris Groys
The Obligation to Self-DesignBilal Khbeiz
Los Angeles: The Invention of Public WeatherSebastjan Leban
Conditioned Contemporaneity (Reartikulacija, Part 1 of 3)Marjetica Potrč
New Territories in Acre and Why They MatterRaqs Media Collective
Stammer, Mumble, Sweat, Scrawl, and TicIrit Rogoff
Turning
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialBilal Khbeiz
Escaping From Exile by Belonging to an Exiled LandInke Arns
The Nigerian Connection: On NSK Passports as Escape and Entry VehiclesMichael Baers
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part IIJohn Miller
Politics of Hate in the USA, Part II: Right-wing Mysticism and BeliefsMladen Dolar
Hegel and FreudSlavoj Žižek
Hegel on MarriageIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialElizabeth A. Povinelli
After the Last Man: Images and Ethics of Becoming OtherwiseBilal Khbeiz
Dubai: A City Manufactured by CuriosityBoris Groys
Under the Gaze of TheorySotirios Bahtsetzis
Eikonomia: Notes on Economy and the Labor of ArtIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part IIJohn Miller
Politics of Hate in the USA, Part III: Posse Comitatus, Grassroots Rebellion, and Secret Societies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Editorial—“Structural Violence”Sven Lütticken
Inside AbstractionJon Rich
Facebook: A Court of Ignorant, Cruel JudgesBilal Khbeiz
In Praise of Books: When Authorities Close a Prison, They Foil a Revolution!Hito Steyerl
Missing People: Entanglement, Superposition, and Exhumation as Sites of IndeterminacyEyal Weizman
665: The Least of All Possible EvilsPelin Tan
Breaking the Social ContractMetahaven
Captives of the Cloud: Part IICuauhtémoc Medina
A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation
