Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialPaul Chan
The Unthinkable CommunityDiedrich Diederichsen
Music—Immateriality—ValueLiam Gillick
The Good of WorkHu Fang
Wu Yongfang, the Hunger ArtistBilal Khbeiz
Michael Jackson Died for No Reason (and the Vampire that is His Life)Sven Lütticken
Art and Thingness, Part III: The Heart of the Thing is the Thing We Don’t KnowNataša Petrešin-Bachelez
Innovative Forms of Archives, Part Two: IRWIN’s East Art Map and Tamás St. Auby’s Portable Intelligence Increase MuseumDieter Roelstraete
(Jena Revisited) Ten Tentative TenetsAnton Vidokle
Art Without Artists?- An Open Letter to Clifford Irving
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
PrefaceBoris Groys
Introduction—Global Conceptualism RevisitedEkaterina Degot
Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art ObjectTerry Smith
One and Three Ideas: Conceptualism Before, During, and After Conceptual ArtKeti Chukhrov
Soviet Material Culture and Socialist Ethics in Moscow ConceptualismAnton Vidokle
Art without Work?Sarah Wilson
Moscow Romantic Exceptionalism: The Suspension of DisbeliefClaire Bishop
Zones of Indistinguishability: Collective Actions Group and Participatory ArtJörg Heiser
Moscow, Romantic, Conceptualism, and After
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialGeert Lovink
What Is the Social in Social Media?Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, and Branka Stipančić
Conceptual Art and Eastern Europe: Part IAnton Vidokle
In Conversation with Ilya and Emilia KabakovHu Fang
The Door to Slow SunsetFranco Berardi Bifo
Nightmares and Screens: Notes on Two Movies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialJoana Hadjithomas and Khalil Joreige
On the Lebanese Rocket SocietyFranco Berardi Bifo
Pasolini in TottenhamJames T. Hong
From Guilt to Sickness, Part II: The Bite of a Dog into a StoneMarina Vishmidt
“Mimesis of the Hardened and Alienated”: Social Practice as Business ModelAnton Vidokle
Art without Market, Art without Education: Political Economy of ArtMarina Gržinić
A Refugee Protest Camp in Vienna And the European Union’s Processes of Racialization, Seclusion, and Discrimination
