Julieta Aranda, Brian Kuan Wood, Anton Vidokle
What is Contemporary Art? Issue OneZdenka Badovinac
Contemporaneity as Points of ConnectionBoris Groys
Comrades of TimeJörg Heiser
Torture and Remedy: The End of -isms and the Beginning Hegemony of the ImpureHu Fang
New Species of SpacesCarol Yinghua Lu
Back to Contemporary: One Contemporary Ambition, Many WorldsDieter Roelstraete
What is Not Contemporary Art?: The View from Jena
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialMichael Baers
Concerning Matters to be Left for a Later Date, Part 2 of 4 (Guest-Starring Pia Rönicke)Natascha Sadr Haghighian
Sleepwalking in a Dialectical Picture Puzzle, Part 2: A Conversation with Thomas KeenanCarol Yinghua Lu
Don’t Stop: Doing Art Potluck StyleMetahaven
Europe Sans: History, Politics, and Protocol in the EU ImageSimon Sheikh
Positively Counter-Publics RevisitedSean Snyder
Disobedience in Byelorussia: Self-Interrogation on “Research-Based Art”
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialStaš Kleindienst
Between Resistance and Commodity (Reartikulacija, Part 2 of 3)Dieter Lesage
The Next Documenta Shouldn’t Be in KasselCarol Yinghua Lu
Accidental ConceptualismMetahaven
Brand States: Postmodern Power, Democratic Pluralism, and DesignNataša Petrešin-Bachelez
Blame It on Gorbachev: The Sources of Inspiration and Crucial Turning Points of Inke ArnsSimon Sheikh
Positively East Village Revisited: The Problem with PuerilismJan Verwoert
The Boss: On the Unresolved Question of Authority in Joseph Beuys’ Oeuvre and Public ImagePelin Tan
Beneath Our Skin
