Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialAnselm Franke
Across the Rationalist VeilBarbad Golshiri
For They Know What They Do KnowBilal Khbeiz
Modernity’s Obsession with Systems of PreservationSven Lütticken
Viewing Copies: On the Mobility of Moving ImagesMarion von Osten
Irene ist Viele! Or What We Call “Productive” Forces
Anselm Franke
Introduction—“Animism”Isabelle Stengers
Reclaiming AnimismHarry Garuba
On Animism, Modernity/ Colonialism, and the African Order of Knowledge: Provisional ReflectionsSpyros Papapetros
Darwin’s Dog and the Parasol: Cultural Reactions to AnimismDiedrich Diederichsen
Animation, De-reification, and the New Charm of the InanimateMichael Taussig
The Stories Things Tell And Why They Tell ThemAnselm Franke
Animism: Notes on an ExhibitionAngela Melitopoulos and Maurizio Lazzarato
Assemblages: Félix Guattari and Machinic AnimismRane Willerslev
Laughing at the Spirits in North Siberia: Is Animism Being Taken too Seriously?Alejandro Haber
Severo’s Severity and Antolín’s ParadoxCornelius Borck
Animism in the Sciences Then and NowTom Holert
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
Anselm Franke
Introduction—“Animism”Isabelle Stengers
Reclaiming AnimismHarry Garuba
On Animism, Modernity/ Colonialism, and the African Order of Knowledge: Provisional ReflectionsSpyros Papapetros
Darwin’s Dog and the Parasol: Cultural Reactions to AnimismDiedrich Diederichsen
Animation, De-reification, and the New Charm of the InanimateMichael Taussig
The Stories Things Tell And Why They Tell ThemAnselm Franke
Animism: Notes on an ExhibitionAngela Melitopoulos and Maurizio Lazzarato
Assemblages: Félix Guattari and Machinic AnimismRane Willerslev
Laughing at the Spirits in North Siberia: Is Animism Being Taken too Seriously?Alejandro Haber
Severo’s Severity and Antolín’s ParadoxCornelius Borck
Animism in the Sciences Then and NowTom Holert
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
