Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialBilal Khbeiz
Escaping From Exile by Belonging to an Exiled LandInke Arns
The Nigerian Connection: On NSK Passports as Escape and Entry VehiclesMichael Baers
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part IIJohn Miller
Politics of Hate in the USA, Part II: Right-wing Mysticism and BeliefsMladen Dolar
Hegel and FreudSlavoj Žižek
Hegel on MarriageIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part I
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialElizabeth A. Povinelli
After the Last Man: Images and Ethics of Becoming OtherwiseBilal Khbeiz
Dubai: A City Manufactured by CuriosityBoris Groys
Under the Gaze of TheorySotirios Bahtsetzis
Eikonomia: Notes on Economy and the Labor of ArtIrmgard Emmelhainz
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part IIJohn Miller
Politics of Hate in the USA, Part III: Posse Comitatus, Grassroots Rebellion, and Secret Societies
Julieta Aranda, Brian Kuan Wood, Anton Vidokle
EditorialDieter Roelstraete
The Business: On the Unbearable Lightness of ArtRasmus Fleischer
How Music Takes Place: Excerpts From “The Post-digital Manifesto”Hans Ulrich Obrist
In Conversation with Nawal El SaadawiAdam Kleinman
On Sophia Al-Maria’s The Girl Who Fell to EarthJames T. Hong
From Guilt to Sickness, Part I: Looking for Plague in All the Right PlacesIrmgard Emmelhainz
Art and the Cultural Turn: Farewell to Committed, Autonomous Art?
