Program

e-flux organizes and presents an ongoing public program of talks, screenings, and exhibitions.

Next Event

Friday, April 27, 2018, 7pm

ArteEast presents: Films, Facts, and Fiction

April 2018
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April 7, 2018
Saturday, April 7, 2018, 6pm
In this lecture, Robin van den Akker and Timotheus Vermeulen discuss Donald Trump’s Twitter typo “covfefe” and its oft-cited relations to post-truth discourses, outrage culture, and post-postmodernism in the context of possible world theory.
April 13, 2018
Friday, April 13, 2018, 7pm
Join us for the launch of The Empire Remains Shop, Cooking Sections' first book following the eponymous ongoing research and installation. The evening will feature an introduction by Natasha Ginwala, the lecture-performance “The Next 'Invasive' Is ‘Native’” by Cooking Sections, and a discussion between Ginwala, Cooking Sections' Daniel Fernández Pascual and Alon Schwabe, and Coco Fusco about the remains of Empire; followed by The Plant That Could Sink Your Mortgage: Cocktails and Drinks.
April 18, 2018
Wednesday, April 18, 2018, 7pm
This lecture seeks to use the Atlantic Spaceport as a lens through which to explore the deep entanglement of colonial imaginaries and neoliberal governance in the context of European space exploration, rather than in the more familiar setting of American final-frontierism.
April 23, 2018
Monday, April 23, 2018, 7pm
This lecture analyzes the words chosen by the female architects, interns, artists, poets, jury members, wives, and other protagonists who inspired, informed, and critiqued the research and presentation of the project Plan (fem.) for Greater Baghdad.
April 27, 2018
Next Event
Friday, April 27, 2018, 7pm
Featuring a selection of short films by Michael Rakowitz, Basim Magdy, Roy Samaha, and Oraib Toukan, followed by audience Q&A with artist Basim Magdy and ArteEast’s Sarah Rifky.
May 24, 2018
Thursday, May 24, 2018, 7pm
Penzin’s lecture will take llyenkov’s early speculative work on the “entropic death of the universe” as a starting point from which to salvage the powers of “thinking matter,” while Almborg’s film and conversation with Chehonadskih will engage with llyenkov’s later work on pedagogy, theories of (dis)ability, and the “thinking body”. While both lecture and film propose a materialist understanding of thinking outside the individual, one is located in matter and the universe, and the other in sensuous activity with objects and between people, leading to unique understandings of communism.
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