Artforum
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Artforum
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December Special Issue
The Best of 2002: 10 X 11
Eleven Artforum contributors deliver their Top Ten picks in "The
Best of
2002," the December special issue that highlights the year's most
memorable exhibitions and events.
From Hesse to Halley, from Documenta to "Lowland Lullaby," see what
Lisa
Liebmann, Matthew Higgs, Vince Aletti, Robert Rosenblum, Bob Nickas,
Daniel Birnbaum, Kate Bush, Philip Nobel, Tom Holert, Katy Siegel, and
Bruce Hainley name as their Top Ten for 2002.
PLUS 19 special contributions on film, music, and books make the
December
issue a standout.
John Waters, David Bordwell, Amy Taubin, and Ian Birnie loved Far
from
Heaven, while Punch-Drunk Love topped Chrissie Iles's chart. In
music,
find out what Dennis Cooper, Ben Ratliff, Andrew Hultkrans, Clive Bell,
and Steve Lafreniere listened to in 2002. Read over the shoulder of
Linda
Nochlin, Yve-Alain Bois, Christopher S. Wood, David Reed, Anne M.
Wagner,
Michael Warner, Tacita Dean, John Rajchman, and Carlos Basualdo as they
recommend the most noteworthy books of the year.
To preview the special December "Best of 2002" issue and take advantage
of
our special holiday subscription offer, visit Artforum at
http://www.artforum.com/subsc
ribe.
"There are any number of breathtaking moments in Matthew Barney's
CREMASTER 3, the most extravagant artwork I've come across this
year (and
not just this year)--like the sequence in which a skeletal zombielike
body
emerges from the mud in a tunnel beneath the Chrysler Building and is
placed in the backseat of a '38 Imperial New Yorker parked in the
lobby."
Daniel Birnbaum on Matthew Barney's CREMASTER 3
"Diego Luna and Gael Garcia Bernal get my vote for screen couple of the
year (even if they were drunk and don't remember a thing)."
John Waters on Alfonso Cuaron's Y Tu Mama Tambien
"...Feldman channels Duchamp, Warhol, and Rauschenberg, but is at once
funnier than any of them and more rigorously artless. Like any good
comedian, he knows that some of the best jokes are pointed and painful."
Vince Aletti on Hans-Peter Feldmann
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