02/07/03 :: EMAIL A FRIEND :: SHOWS :: PROJECTS :: ABOUT :: JOIN :: CONTACT logo.gif
orange_line.gif
Artforum

cover250.jpg









Artforum
350 Seventh Ave, 19th Floor
New York, New York 10001
t: 212.475-4000 f: 212.529-1257
http://www.artforum.com

gray_line.gif

February in Artforum: The Happy End of Kippenberger's Amerika.

This month, on the occasion of the fiftieth anniversary of the late Martin Kippenberger's birth, Gregory Williams talks with Jeff Koons, Jan Avgikos, Christopher Wool, Ronald Jones, Andrea Fraser, and Stephen Prina on the German artist's life and work. "Whenever I'm asked about whose work influences me, I say Martin Kippenberger." --Jeff Koons

Also in February: On the heels of his sprawling Bataille Monument, realized for Documenta 11, Thomas Hirschhorn made his Manhattan gallery debut last fall with Cavemanman. Michael Wilson paid a visit to the site as the Swiss artist's modern-day cardboard-and-packing-tape Lascaux took shape. Hirschhorn: "[I was] thinking about tunnel systems in Switzerland--manufactured spaces. I was interested in making a hidden space that awaits discovery; a space in development--indefinite, perhaps infinite."

Supplying this month's cover is Lebanese artist Walid Raad/the Atlas Group. Lee Smith looks at this foundation involving individuals both fictive and real charting an imaginary history of contemporary Lebanon. "This is where the Atlas Group draws part of its energy--the obsessive attempts to manage and take seriously what Raad calls the 'hysterical symptoms of the war.'"

PLUS: Bernard Frize curates an exhibition for the magazine's pages including Ayse Arkmen, Wim Delvoye, Mike Kelley, and Ellsworth Kelly; "Standing Still," a suite of photographs by artist Simryn Gill documenting her travels across the Malaysian countryside; Kutlug Ataman talks about 1+1=1; and Barry Schwabsky on Larry Poons's first break.

Subscribe today in time to receive Writing the 1980s: A Special Two-Issue 40th Anniversary Edition, coming this March and April.

"This is an intermediate moment where people are going to reminisce and at least begin to study the period. But to me it doesn't seem historical because so many of the developments of the '80s . . . are still unfolding." --from an interview with Jeff Wall in the 40th Anniversary Issue

http://www.artforum.com/subsc ribe/



orange_line.gif

Forward to

Flash ArtTaipei Biennial 2008FriezeBidounParkettA Prior MagazineArt ReviewPiktogramBook ForumArt ForumNKDaleAPB FoundationAfter All