Currency prototypes

Lawrence Weiner
Florian Zeyfang
Cabinet Magazine
Mariana Silva
Carlos Motta
Naeem Mohaiemen
Judi Werthein
Mary Walling Blackburn
Harrell Fletcher
Lawrence Weiner
RAQS Media Collective
Francesca Grassi
Lawrence Weiner
Lawrence Weiner
Hans Ulrich Obrist, Koo Jeong-A
Nedko Solakov
Wilson Diaz, Ana Maria Millan
Bik Van Der Pol
John Miller
Sarah Morris
Mladen Stilnovic
Julieta Aranda
Liam Gillick
Lawrence Weiner
François Bucher
Olaf Nicolai
Carolina Caycedo
Sean Snyder
Victor Rosdahl
Anton Vidokle
Jimmie Durham
Alevtina Kakhidze

Recent Listings

07. Jun. 2016
factor-m /
SPACE Gallery

Join the Salon des Refusés team as an intern and gain valuable experience working at a gallery, organising a busy exhibition. Excellent opportunity to learn new, practical skills and to liaise with artists and art collectors at the Opening Reception and during the exhibition.

A placement with Salon des Refusés allows you to participate in a most exciting gallery and to work in a highly stimulating environment. A combination of both formal and informal learning opportunities will be beneficial for your future career.

No previous experience necessary of working in a gallery. During your placement, you will receive support from our team and a dedicated supervisor.

The placement will be located at SPACE in 129-131 Mare Street, London E8 3RH from 20 to 27 June 2016.

To apply for this placement, please email with your CV and a covering letter. Please describe your skills and talents and what you are looking to learn during this internship.

03. Jun. 2016
Cuchifritos /
Cuchifritos Gallery + Project Space

Cuchifritos Gallery + Project Space is thrilled to present on the subversion of opacity, a two-person exhibition of recent work by Arianna Carossa and Beatrice Glow, curated by Alessandro Facente.

Through site-specific installations, including sculpture and digital prints on silk, this exhibition considers the ways in which artists provide an indirect view of reality, representing it as a fictional mythology drawn from its facts, forms, or histories, but never reflecting them directly. Even as a fiction, this mythology is able, perhaps even more so, to reveal the original reality at its core; an inner essence not beholden to its usual context, interpretation or common understanding. Instead, the new work behaves as autonomous form; an expanded field that is both in balance and in tension with the one from which it has been originally generated.