Nihilism Is Love
February 21–May 17, 2020
with Hilti Art Foundation
Städtle 32
FL-9490 Vaduz
Liechtenstein
Hours: Tuesday–Sunday 10am–5pm,
Thursday 10am–8pm
T +423 235 0300
mail@kunstmuseum.li
Steven Parrino (1958–2005) was one of the most influential artists of the New York art scene since the late 1980s. Kunstmuseum Liechtenstein is mounting the first comprehensive retrospective of his work in the German-speaking world.
Predominantly a painter, in his oeuvre he developed a unique visual idiom that, on the one hand, draws on various subcultural movements and, on the other, displays clear references to the history of visual art of the 20th century and beyond. Parrino’s work is defined by an unconditional will to be free that stems from American biker culture and is also influenced by punk rock existentialism.
At the same time, Parrino contradicted the “anything goes” attitude of postmodern trends in the 1980s. Authenticity and the will to form combine in his artistic approach to create an innovative power of outstanding quality that is also manifested in his installations, music, films, and writings. Borrowings from underground comics and the “Kustom Kulture” of the biker world, with its specific symbolic language, are the main themes in his early drawings. His monochrome paintings in the tradition of “Radical Painting” evolved in parallel. After the mid-1980s, Parrino’s artistic and ideological convictions began to gel into a characteristic method: the artist would first paint canvases in monochrome color, take them off the stretcher, and then remount them in a modified form (twisted, wound, crumpled, etc.) so as to create a new and usually three-dimensional “picture.”
Based on five themes, Steven Parrino. Nihilism Is Love recontextualizes the artist’s work at Kunstmuseum Liechtenstein: a central narrative of the exhibition is the death of painting as a motif and its revival based on various social and subcultural themes. In the face of rapid upheavals in recent decades, painting has increasingly been deprived of its traditional role as the preeminent medium of the avant-gardes. For the first time, this show illustrates the significance of Parrino’s multifaceted oeuvre for the further development of painting.
A production of Kunstmuseum Liechtenstein, curated by Friedemann Malsch and Fabian Flückiger. The exhibition will be accompanied by a comprehensive publication.
Opening
Thursday, February 20, 6pm
Side program
Thursday, March 12, 6pm
Guided tour
with Rolf Ricke, former gallery owner
In cooperation with Liechtensteinische Kunstgesellschaft
Sunday, May 17, 11am
Talk
with Konrad Bitterli, Director of Kunst Museum Winterthur, and Pierre Huber, gallery owner and collector
In cooperation with Liechtensteinische Kunstgesellschaft