Institute of Contemporary Art at the University of Pennsylvania (ICA) - Clients - e-flux

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Institute of Contemporary Art at the University of Pennsylvania (ICA)

118 S. 36th Street
Philadelphia, PA 19104
USA

September 12, 2019

[1] Michelle Lopez, Barricade, 2018. Walnut, paint, steel, reflective fabric, paracord, and street rubble, 57 × 80 .5 × 62 inches. Courtesy of the artist and Simon Preston New York. [2] Michelle Lopez, House of Cards, 2018. Exhibition view, Simon Preston New York. Courtesy of the artist and Simon Preston New York. [3] Michelle Lopez, Untitled, 2019. Ink drawing. Courtesy of the artist. [4] Michelle Lopez, Flag, 2014. Pure lead and steel, 96 × 38 × 27 inches. Courtesy of the artist and Simon Preston New York. [5] Michelle Lopez, details of ICA installation Ballast & Barricades, 2019. Photo: Ali Abdel Mohsen.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Michelle Lopez: Ballast & Barricades

August 27, 2019

Carlos Fuentes, Remember the Future, 1985.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Colored People Time

April 22, 2019

[1] Amandus Johnson in Angola. At encampment with natives and other explorers. University of Pennsylvania Museum Photographic Archives; standard size prints; Africa, box AF 4: Amandus Johnson in Angola; Penn Museum. [2] Matthew Angelo Harrison, polygon mesh of Batetela Statue 30-55-1 2019, original sculpture purchased circa 1930 from J. Noble White. Courtesy of Matthew Angelo Harrison, Jessica Silverman Gallery, and the University of Pennsylvania. [3] WHAT IN THE WORLD 4, c. 1952, digital video transfered from 16mm film, color, sound, 28:28 minutes. Courtesy of the Penn Museum. [4] Pacific and Atlantic Photos Ltd, W.O. Oldman with masks and headdresses, c.1920, Te Papa O.027326.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Colored People Time

January 15, 2019

[1] National Institutes of Health / Getty Images, scanning electron micrograph of just-divided HeLa cells, purchased 2018, stock image. [2] Dave McKenzie, Futuro, 2013. 61 x 61 x 2 inches. Inkjet print mounted on aluminum. Collection of Ben and Aileen Krohn. [3] Kevin Jerome Everson, IFO, 2017. Film still. © Kevin Jerome Everson. Courtesy of the artist, Trilobite-Arts DAC, and Picture Palace Pictures. [4] Aria Dean, Notes on Blaccelerationism, 2017. Digital video, 75 minutes. Courtesy of the artist.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Colored People Time

September 14, 2018

[1] Cauleen Smith, Sojourner (production still), 2018. Color and sound (in progress). [2] Pilgrim (video still), 2017. Color and sound, 7:41 minutes. [3] Space Station Monk-Ranger, installation view, Logan Center for the Arts, University of Chicago, 2013. Wallpaper, disco balls, turntable, motor, fur, shag carpet, two projectors, and DVD. Photo: Cecil McDonald. [4] Black And Blue Over You (After Bas jan Ader For Ishan) (still), 2010. Film, HD digital video, 9:30 minutes. All works courtesy of the artist, Corbett vs. Dempsey, Chicago, and Kate Werble Gallery, New York.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Cauleen Smith
Give It or Leave It

September 5, 2018

(1) Ree Morton, Of Previous Dissipations, 1974. Oil on wood with celastic, 41 x 6 7/8 x 6 1/2 inches. (2) Ree Morton, Sister Perpetua's Lie, 1973. 15 works on paper and canvas: acrylic, ink, crayon, and pencil on paper; chalk on paper; acrylic on canvas; watercolor on paper; chalk, wood, and acrylic on wood. (3) Ree Morton, Souvenir Piece, 1973. Acrylic paint on canvas mounted on wood, wood, acrylic paint, and stones, 96 2/3 x 181 x 109 1/2 inches. (4) Ree Morton, Bozeman, Montana, 1974. Enamel, flocking, and glitter on wood and celastic; colored light bulbs, approximately 84 x 132 x 3 inches. All images: © Estate of Ree Morton. Courtesy Alexander and Bonin, New York.*

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Ree Morton
The Plant That Heals May Also Poison

April 17, 2018

Suki Seokyeong Kang, Black Mat Oriole (stills), 2017. Three-channel video, color, sound, 8:46 minutes. Courtesy of the artist.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Suki Seokyeong Kang: Black Mat Oriole

March 11, 2018

[1] The Plant That Heals May Also Poison, 1974. Enamel and glitter on wood and celastic, 5 light bulbs. FWA – Lieve Van Gorp Foundation for Women Artists. [2] Weeds of the Northeast #5, 1974. Pencil, crayon, watercolor, and glitter on grained paper. The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawing Collection Gift 2005. [3] Devil Chaser, 2nd version, 1975/76. Wire and enamel on celastic; acrylic on plywood. Art Institute of Chicago. Mr. and Mrs. Frank G. Logan Purchase Prize Fund; Contemporary Discretionary Fund; restricted gift of Barbara Ruben; Emilie L. Wild Prize fund, 2011.54. [4] Something in the Wind, 1975. Installation view: South Street Seaport, New York, 1975. [5] Regional Piece, 1975-76. Oil on wood and enamel on celastic. Institute of Contemporary Art, Boston. Gift of Barbara Lee, The Barbara Lee Collection of Art by Women. © Estate of Ree Morton. All works courtesy Alexander and Bonin, New York.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Using the Self to Imagine the World: Conversations on Ree Morton

January 27, 2018

A.K. Burns, Living Room (production still) 2017-ongoing. Two-channel HD video, color, sound; 36min. Courtesy of the artist and Callicoon Fine Arts. Cupid Ojala, The Gender Wilderness Coloring Book (detail), 2015. Pigma pen on paper. Courtesy of the artist. Saeborg, Pigpen, 2016. Latex, wood, and steel. Courtesy of the artist. Photo by Kyoichi Tsuzuki. Tommy Bruce, Shia the cabbit, 2013. Archival inkjet print. Courtesy of the artist. Robert Yang, Radiator 2 (still), 2017. Video game. Courtesy of the artist.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Tag: Proposals on Queer Play and the Ways Forward

September 22, 2017

Jibade-Khalil Huffman, Untitled (Citizen), 2015, 3-channel video. Courtesy of the artist and Anat Ebgi.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Speech/Acts

September 8, 2017

(1) Nathalie Du Pasquier, My Bicycle is Loaded, 2005. Oil on canvas, 39 x 69 inches. (2) Nathalie Du Pasquier, Nature morte n°13, 2002. Porcelain on wooden base, 17 x 23 x 7 inches. (3) Nathalie Du Pasquier, Projects for surfaces (detail), 1981–83. 7 x 9 inches. (4) Nathalie Du Pasquier, Disordine, 2007. Oil on canvas, 39 x 59 inches. All artworks courtesy the artist.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Nathalie Du Pasquier
BIG OBJECTS NOT ALWAYS SILENT

April 14, 2017

Detail views of works in Myths of the Marble by Ane Graff, Florian Meisenberg, Susanne M. Winterling, and Rachel de Joode.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Myths of the Marble

September 21, 2016

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Endless Shout

September 12, 2016

Muhal Richard Abrams, View From Within, 1985. Collage and acrylic on canvas, 17 3/4 x 25 1/2 inches. Photo: Gavin Ashworth. © MCA Chicago.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

The Freedom Principle: Experiments in Art and Music, 1965 to Now

January 28, 2016

Angel Nevarez and Valerie Tevere, Memory of a Time Twice Lived (production still), 2015. Courtesy the artists.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Angel Nevarez and Valerie Tevere

January 18, 2016

Rodney McMillian, A Migration Tale, 2015 (filmed 2014). Single-channel video. Courtesy the artist and Maccarone, New York.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Rodney McMillian
The Black Show

September 14, 2015

Christopher Knowles, The Sundance Kid Is Beautiful, 2013. Courtesy the artist. Photo: Julian Mommert.

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Christopher Knowles
In a Word

April 16, 2009

Jeffry Mitchell
Pickle Jar, 2005
glazed ceramic, 15 1/2 x 13 x 13 inches
Collection of Ben and Aileen Krohn

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Dirt on Delight: Impulses That Form Clay

January 31, 2008

Carlos Motta, The Good Life, video still
Tegucigalpa, Honduras, 2005-2008

Institute of Contemporary Art at the University of Pennsylvania (ICA)

Carlos Motta

January 12, 2008

Institute of Contemporary Art at the University of Pennsylvania (ICA)

The Puppet Show

April 30, 2004

Institute of Contemporary Art at the University of Pennsylvania (ICA)

The Big Nothing

Info September 12, 2019 August 27, 2019 April 22, 2019 January 15, 2019 September 14, 2018 September 5, 2018 April 17, 2018 March 11, 2018 January 27, 2018 September 22, 2017 September 8, 2017 April 14, 2017 September 21, 2016 September 12, 2016 January 28, 2016 January 18, 2016 September 14, 2015 April 16, 2009 January 31, 2008 January 12, 2008 April 30, 2004