Gasworks - Clients - e-flux

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Gasworks

155 Vauxhall Street
London SE11 5RH
United Kingdom

July 1, 2019

Patricia Domínguez, Eyes of Plants (film still), 2019. Commissioned by Gasworks.

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Summer/Autumn Programmes 2019

January 21, 2019

Libita Clayton, Untitled, 2018. Photograph. Courtesy of the artist and Brain the Tool.

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Winter/Spring programmes 2019

September 17, 2018

James N. Kienitz Wilkins, The Dynamic Range, 2018. VR. Courtesy the artist.

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James N. Kienitz Wilkins
Hearsays

July 2, 2018

Evan Ifekoya, No.1: Start from a place of Abundance, 2018. Photo: Bernice Mulenga, 2018. Courtesy of the artist.

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Evan Ifekoya
Ritual Without Belief

April 9, 2018

Tenshi, Untitled, 2018. Developed in dialogue with Osías Yanov.

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Osías Yanov
Orphan Dance

January 22, 2018

Jason Dill, 2001. Photo courtesy of Mike Piscitelli.

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Rachal Bradley
Interlocutor

September 18, 2017

Zach Blas, Jubilee 2033 (still), 2017. Film. Commissioned by Gasworks; Art in General, New York; and MU, Eindhoven. Courtesy of the artist.

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Zach Blas
Contra-Internet

July 10, 2017

Monira Al Qadiri, The Craft, 2017. Courtesy of the artist.

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Monira Al Qadiri
The Craft

April 24, 2017

Filipa César and Louis Henderson, Sunstone (still), 2017. Film. Co-commissioned by Gasworks and Contour Biennale 8, Mechelen. Courtesy of the artists.

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Filipa César and Louis Henderson
Op-Film: An Archaeology of Optics

January 23, 2017

Jamie Crewe, cover design for Monsieur Venus, drawn with a knife, 2016. Courtesy of the artist.

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Jamie Crewe
Female Executioner

September 20, 2016

Candice Lin, A Body Reduced to Brilliant Colour, work in progress, 2016. Commissioned by Gasworks, courtesy of the artist. Photo: Killean Evans (JR Casting).

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Candice Lin
A Body Reduced to Brilliant Colour

June 22, 2016

Teresa Burga, Untitled (Brigitte Hagenmeyer, 1977), 2014. Diptych, pencil and felt tip pen on paper, 29.7 x 21 cm each. Courtesy of the artist and Galerie Barbara Thumm.

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A Kingdom of Hours

March 14, 2016

Sidsel Meineche Hansen, SECOND SEX WAR, 2016. Courtesy of the artist. Credit: Werkflow Ltd, London.

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Sidsel Meineche Hansen
SECOND SEX WAR

November 23, 2015

Naufus Ramírez-Figueroa, Props for Eréndira, 2014. Sculptural installation commissioned by the 10th Gwangju Biennale. Courtesy of the artist.

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Naufus Ramírez-Figueroa and Winter Open Studios

September 21, 2015

Kemang Wa Lehulere, Do not go far they say, 2015. Suitcase, earth, grass, salvaged school desks (wood), ceramic dogs, 54 x 200 x 92 cm. Courtesy of the artist and Stevenson Gallery.

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Reopening with Kemang Wa Lehulere and autumn open studios

September 5, 2014

The Minuet. Oil on canvas attributed to Giovanni Domenico Tiepolo, sequestered by the Republic of the Philippines and subsequently sold by Christie’s on 11 January 1991.

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Pio Abad

June 18, 2014

Melanie Gilligan, 4 x exchange/abstraction, 2014. Four HD videos. Courtesy of Galerie Max Mayer.

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Dependency

March 19, 2014

Maryam Jafri, Mouthfeel (still), 2014. 2K HD video with sound, 21:34 minutes. Courtesy the artist.

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Maryam Jafri

January 23, 2014

Matts Leiderstam, After Image (Portrait of Jakob Philipp Hackert), 2011. C-print, 43.2 x 59.3 cm. Courtesy the artist and Andréhn-Schiptjenko.

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Late Barbarians

October 2, 2013

Patrizio Di Massimo, The Lustful Turk (Haberdashery), 2013. Oil on canvas, 200 x 270 cm. Courtesy the artist and T293, Naples/Rome.

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Patrizio Di Massimo

June 9, 2013

Chief Judge Lars Karlsson holding a commemorative statue of the Bazaramba trial, 2007–2011. Courtesy Thomas Elfgren.

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RESOLUTION 978 HD by Model Court

February 21, 2013

Beatriz Santiago Muñoz, La Cueva Negra, 2013. Courtesy of the artist.

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Beatriz Santiago Muñoz

December 7, 2012

Adelita Husni-Bey, Postcards from the Desert Island, 2010–11. SD video transferred to DVD, 23 minutes. Courtesy the artist and Galleria Laveronica.

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Adelita Husni-Bey

October 6, 2012

Lana Lin, still from Taiwan Video Club, 1999. Video, 14 minutes. Courtesy of the artist.

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Lana Lin

May 5, 2012

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Eric Baudelaire

February 8, 2012

Irene Kopelman, “Radiolarians from Scott’s Expedition,”
2011. Ink on paper.

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November 3, 2011

Darcy Lange, from “Studies of Teaching in Four Oxfordshire Schools,” 1977.*

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All I Can See is the Management

May 30, 2011

Tamar Guimarães

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Tamar Guimaraes’s The Work of the Spirit (Parade)

September 8, 2010

Research image for Uriel Orlow’s “The Yellow Fleet” (2010)

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Hydrarchy: Power and Resistance at Sea

April 12, 2010

Joana Hadjithomas and Khalil Joreige
I Want to See (2008)
Film still
© Patrick Swirc

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I Want to See / Struggle in Jerash

February 3, 2010

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Tim Etchells

September 24, 2009

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April 29, 2009

Antonio Caro
Maiz (Corn)
1972-2009

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Everything has a name, or the potential to be named

February 18, 2009

Otolith
The Otolith Group
2003
Film still

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The Otolith Group

September 15, 2008

Martin Beck, video still from The Environmental Witch-Hunt, 2008.
Image Copyright Martin Beck.

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Martin Beck

June 6, 2008

Dissident Sunset, 2007
Gail Pickering
Video still

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March 19, 2008

Printed material designed by Jérôme Rigaud using Francois Rappo’s font LaPolice BP, the first hacking of importance in the history of typography.

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Disclosures

Info July 1, 2019 January 21, 2019 September 17, 2018 July 2, 2018 April 9, 2018 January 22, 2018 September 18, 2017 July 10, 2017 April 24, 2017 January 23, 2017 September 20, 2016 June 22, 2016 March 14, 2016 November 23, 2015 September 21, 2015 September 5, 2014 June 18, 2014 March 19, 2014 January 23, 2014 October 2, 2013 June 9, 2013 February 21, 2013 December 7, 2012 October 6, 2012 May 5, 2012 February 8, 2012 November 3, 2011 May 30, 2011 September 8, 2010 April 12, 2010 February 3, 2010 September 24, 2009 April 29, 2009 February 18, 2009 September 15, 2008 June 6, 2008 March 19, 2008