CCA Wattis Institute for Contemporary Arts - Clients

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CCA Wattis Institute for Contemporary Arts

360 Kansas Street
San Francisco, CA 94103
USA

October 6, 2017

Garry Neill Kennedy, The Letter E, 1980–2017.

CCA Wattis Institute for Contemporary Arts

Mechanisms

January 9, 2017

Martin Soto Climent, Rendezvous, 2016. Giclée print, 12 x 18 inches. Numbered and signed edition of 50.

CCA Wattis Institute for Contemporary Arts

Limited editions

May 15, 2016

Laura Owens, Untitled (detail), 2016. Acrylic, oil, Flashe, silkscreen inks, charcoal, pastel pencil, graphite, and sand on wallpaper. Courtesy the artist and Gavin Brown’s enterprise, New York / Sadie Coles HQ, London / Galerie Gisela Capitain, Cologne. © Laura Owens. Photo: Johnna Arnold.

CCA Wattis Institute for Contemporary Arts

Laura Owens
Ten Paintings

December 12, 2015

Sam Lewitt, Untitled (Two Weak Local Lineaments), 2015. Two etchings on copper-clad plastic mounted on pigment print, 11 x 17 inches. Edition of 5 + 2 AP’s.

CCA Wattis Institute for Contemporary Arts

New limited editions by Sam Lewitt, Josephine Pryde, and Joan Jonas available

September 6, 2014

CCA Wattis Institute for Contemporary Arts

New program

February 10, 2014

Ryan Gander, …and their integrity was uncompromising, 2013. Incomplete A3 jigsaw with 33% of its pieces missing, ed. of 15. Photo courtesy the artist.

CCA Wattis Institute for Contemporary Arts

Limited editions

January 22, 2014

Jerry McMillan, Ed Ruscha with six of his books on his head, 1970. Courtesy the artist and Craig Krull Gallery, Santa Monica.

CCA Wattis Institute for Contemporary Arts

Codex

September 12, 2013

Enrique Metinides, Untitled p 64, 1990. Courtesy the artist and Zabludowicz Collection.

CCA Wattis Institute for Contemporary Arts

City of Disappearances

March 27, 2013

CCA Wattis Institute for Contemporary Arts

Anthony Huberman appointed Director

January 17, 2013

CCA Wattis Institute for Contemporary Arts

New location and spring exhibitions

November 27, 2012

John Baldessari, Stairway, Coat and Person, 2011. Archival inkjet print, signed and numbered edition of 120. 20 x 16 inches.

CCA Wattis Institute for Contemporary Arts

2012 Limited Editions

October 22, 2012

California College of the Arts, San Francisco.

CCA Wattis Institute for Contemporary Arts

Seeking new Director

September 11, 2012

View of the Kunsthalle Bern by Kender-Shunk, 1969. Photo: Shunk-Kender © Roy Lichtenstein Foundation.

CCA Wattis Institute for Contemporary Arts

When Attitudes Became Form Become Attitudes

January 19, 2012

CCA Wattis Institute for Contemporary Arts

John Baldessari: Class Assignments, (Optional)

December 11, 2011

Catherine Opie, “Bravo,” 2011.
Chromogenic print, signed and numbered edition of 100, 11 x 17 inches.*

CCA Wattis Institute for Contemporary Arts

2011 Limited Editions

October 18, 2011

CCA Wattis Institute for Contemporary Arts

More American Photographs

September 20, 2011

CCA Wattis Institute for Contemporary Arts

Painting Between the Lines

March 29, 2011

Kris Martin, “Endpoint of the Magnificent Seven (W. Roberts),” 2011.
Collage and graphite on paper, 16 ½ x 11 3/8 inches.*

CCA Wattis Institute for Contemporary Arts

Kris Martin’s Hammarby!

December 11, 2010

CCA Wattis Institute for Contemporary Arts

Paul McCarthy’s Low Life Slow Life: Tidebox Tidebook

December 3, 2010

Paulina Olowska, “X,” 2002.
Oil on canvas, 63 x 38 3/8 in. (160 x 97.5 cm).*

CCA Wattis Institute for Contemporary Arts

The Magnificent Seven: Paulina Olowska

September 28, 2010

CCA Wattis Institute for Contemporary Arts

Huckleberry Finn

January 19, 2010

Michael Bravo, Nina Bravo, and Harrell Fletcher at Nina’s First Birthday, Norman, Oklahoma, 1972
Photo by Sandra Fletcher

CCA Wattis Institute for Contemporary Arts

Harrell Fletcher Selections from the Life and Work of Michael Bravo

November 20, 2009

Autoconstruccion Mobile, 2008. Customized bicycle with steel pipes, wood, cardboard, cables, car battery, speakers, mirrors, car stereo, video projector, DVD player, tea flask, bell, and horn. Courtesy the artist and kurimanzutto, Mexico City.

CCA Wattis Institute for Contemporary Arts

Abraham Cruzvillegas

October 15, 2009

Colonel Sanders stands between two cardboard cutouts of himself at the Southern Cross Hotel, ca. 1970. Courtesy The Herald & Weekly Times [from Americana: Kentucky].

CCA Wattis Institute for Contemporary Arts

Americana: 50 States, 50 Months, 50 Exhibitions

September 22, 2009

Kenneth Anger, Fireworks (still), 1947. DVD (transferred from 16-millimeter film), black and white, sound, 15 min. Courtesy the artist.

CCA Wattis Institute for Contemporary Arts

Moby-Dick

September 2, 2009

CCA Wattis Institute for Contemporary Arts

The Magnificent Seven

January 27, 2009

TIDE
ca. 1973 Courtesy Procter & Gamble Co.

CCA Wattis Institute for Contemporary Arts

Paul McCarthy’s Low Life Slow Life: Part 2

December 16, 2008

Abraham Cruzvillegas
Autorretrato Ciego: SF Suite 1–11 (2008)

CCA Wattis Institute for Contemporary Arts

Limited Editions 2008

November 23, 2008

Beatriz Santiago Muñoz
Flowers of Antimony (still), 2008

CCA Wattis Institute for Contemporary Arts

Flowers of Antimony: Beatriz Santiago Munoz

September 22, 2008

CCA Wattis Institute for Contemporary Arts

The Exhibition Formerly Known as Passengers

September 2, 2008

Bruce Conner
Valse Triste (still), 1977
Courtesy Michael Kohn Gallery, Los Angeles.

CCA Wattis Institute for Contemporary Arts

The Wizard of Oz

August 11, 2008

CCA Wattis Institute for Contemporary Arts

Tino Sehgal

April 17, 2008

Andrea Bowers, Non-Violent Civil Disobedience Drawing–
Transvestite Smoking (detail), 2004
Collection of Charlotte and Bill Ford, New York

CCA Wattis Institute for Contemporary Arts

Amateurs

February 7, 2008

Yves Klein
Leap into the Void, 1960
Photographer: Shunk-Kender

CCA Wattis Institute for Contemporary Arts

Paul McCarthy’s Low Life Slow Life: Part 1

November 23, 2007

Bruce Conner, Crossroads, 1976
Courtesy the artist and Michael Kohn Gallery, Los Angeles

CCA Wattis Institute for Contemporary Arts

Apocalypse Now: The Theater of War

September 11, 2007

Daria Martin</b><br>
Loneliness and the Modern Pentathlon, 2004 – 5<br>
Still from 16mm film<br>
17 minutes

Courtesy Maureen Paley, London

CCA Wattis Institute for Contemporary Arts

CCA Wattis Institute for Contemporary Arts Presents Passengers

September 5, 2007

CCA Wattis Institute for Contemporary Arts

Pioneers

August 28, 2007

CCA Wattis Institute for Contemporary Arts

Tino Sehgal

August 21, 2007

Lin Shi Khan and Tony Perez, Scottsboro Alabama:
A Story in Linoleum Cuts, 1935.
Courtesy Tamiment Library, New York University

CCA Wattis Institute for Contemporary Arts

Americana: 50 States, 50 Months, 50 Exhibitions

August 14, 2007

CCA Wattis Institute for Contemporary Arts

Capp Street Project Resident Artists Announced

April 15, 2007

Center for Land Use Interpretation Photo Archive (Emergency State exhibition, 2004)

CCA Wattis Institute for Contemporary Arts

THE CALIFORNIA FILES: RE-VIEWING SIDE EFFECTS OF CULTURAL MEMORY

September 12, 2006

Christian Jankowski, “16mm Mystery”, 2004

CCA Wattis Institute for Contemporary Arts

Prophets of Deceit

July 31, 2006

CCA Wattis Institute for Contemporary Arts

Jens Hoffmann Appointed Director

April 10, 2006

CCA Wattis Institute for Contemporary Arts

POSITION ANNOUNCEMENT

November 29, 2005

CCA Wattis Institute for Contemporary Arts

A Brief History of Invisible Art

September 13, 2005

CCA Wattis Institute for Contemporary Arts

General Ideas: Rethinking Conceptual Art 1987–2005

April 4, 2005

Elmgreen & Dragset, Monument to Short-Term Memory: Robert Indiana version, 2004, Digital print. Courtesy the artists.

CCA Wattis Institute for Contemporary Arts

Monuments for the USA

January 31, 2005

Elmgreen & Dragset, ‘Monument to Short Term Memory‘, 2004 Color inkjet print. Courtesy the artists

CCA Wattis Institute for Contemporary Arts

Monuments for the USA

January 14, 2005

Gillian Wearing, Tedi, 2003. DVD projection (still) Courtesy Maureen Paley Interim Art, London

CCA Wattis Institute for Contemporary Arts

IRREDUCIBLE: Contemporary Short Form Video

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