Secret
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Secret

Secret
Date
April 5, 2016

Please join us on Tuesday, April 5, at 7:30pm for a roundtable discussion with Trevor Paglen, Matteo Pasquinelli, and Hito Steyerl, organized as a special preview of the April issue of e-flux journal:

“It’s not about the data or even access to the data. It’s about getting information from the truckloads of data … Developers, please help! We’re drowning (not waving) in a sea of data—with data, data everywhere, but not a drop of information.

Analysts are choking on intercepted communication. They need to unscramble, filter, decrypt, refine, and process “truckloads of data.” The focus moves from acquisition to discerning, from scarcity to overabundance, from adding on to filtering, from research to pattern recognition. This problem is not restricted to secret services. Even WikiLeaks Julian Assange states: “We are drowning in material.”

– Hito Steyerl, “A Sea of Data: Apophenia and Pattern (Mis-)Recognition,” forthcoming in e-flux journal no. 72 (password: secret)

We look forward to seeing you on East Broadway. For those who are unable to join in person, the talk will be live streamed here.

For more information and to RSVP, please contact program [​at​] e-flux.com.

Category
Surveillance & Privacy, Internet

Hito Steyerl is a filmmaker, moving-image artist, writer, and innovator of the essay documentary. Her principal topics of interest are media, technology, and the global circulation of images. Through her writing practice, films, and performative lectures, Steyerl considers the status of the image in an increasingly global and technological world.

Matteo Pasquinelli is Associate Professor in Philosophy of Science at the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice where he is coordinating the ERC project AIMODELS. For Verso Books, he wrote the monograph The Eye of the Master: A Social History of Artificial Intelligence (2023), from which this text has been excerpted.

Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Paglen’s work has had one-person exhibitions at the Smithsonian Museum of American Art, Washington D.C.; Carnegie Museum of Art, Pittsburgh; Fondazione Prada, Milan; the Barbican Centre, London; Vienna Secession, Vienna; and Protocinema Istanbul; and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.

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