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Harun’s Highway
Jan Ralske
The impact of Harun Farocki’s work was more than the howl of a dog in tune with his instincts. And although Farocki was certainly a partisan behind enemy lines, using archival and contemporary footage from the military, he was not simply that lone romantic fighter, once derisively described by Carl Schmitt as “a dog on the highway.”
e-flux Journal
Posted: November 1, 2014
Subjects
Experimental Film