Increasing interest in organizing, structuring, documenting, and revealing the art history of the former Eastern Bloc is in large part attributable to artists who have participated actively in changing orders and elements within the visible, sayable, and thinkable, as Jacques Rancière’s definition of political art has it. 1 Although heterogeneous in terms of formal proposals, the artistic projects that will be dealt with in this coming series have in common discursive aspects or forms of...