7 documents
Mohammad Salemy
Mohammad Salemy
Summa Technologiae
Summa Technologiae (The Lem Seminars)
e-flux Announcement
Posted: October 30, 2020
Category
Technology, Philosophy
Subjects
Science Fiction
Institution
In more than 60 texts, first published on-site at 56th Venice Biennale, artists and writers trace the negative collective that is the subject of contemporary life.
e-flux Books
Posted: December 1, 2017
Category
Technology, Internet, Contemporary Art, Utopia, Surveillance & Privacy, Nature & Ecology, Migration & Immigration, Labor & Work, Globalization
Subjects
Biennials, Networks, Post-Internet, Contemporaneity, Anthropocene, Apocalypse , Art Criticism, Transhumanism, Cosmism, Social Media, Science Fiction, Psychogeography, Postcolonialism, Ontology , Nihilism , Knowledge Production, Internet Art, Institutional Critique, Immaterial Labor, Human - Nonhuman Relations, Artistic Research
Double Book Launch: For Machine Use Only and Intersubjectivity Vol. 1
Andrew Durbin, Alexander R. Galloway, Mohammad Salemy, Mohammad Salemy , Sam Sackeroff, Maria Tsylke , Mary Wang , and Lou Cantor
e-flux Live
Posted: December 9, 2016
Category
Language & Linguistics
Subjects
Poetry, Artificial intelligence
SUPERCONVERSATIONS: MACHINES THAT MATTER
Gregory Sholette, Anton Vidokle, Oleksiy Radynski, McKenzie Wark, Julieta Aranda, Antonia Majaca, Reza Negarestani, Aaron Gemmill, Olivia Leiter, and Mohammad Salemy
e-flux Live
Posted: December 11, 2015
Category
Aesthetics
Subjects
Science Fiction
“Supercommunity Live: The Climatic Unconscious” in Saskatoon
Kader Attia, Wietske Maas, Matteo Pasquinelli, Mohammad Salemy, Elizabeth A. Povinelli, Pedro Neves Marques, Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Natasha Ginwala, and Raymond Boisjoly
e-flux Live
Posted: October 30, 2015
Category
Posthumanism
# 65
Art After the Machines
Mohammad Salemy
This text is brought to you from the intersection of collaboration and hyperstition. What makes this experiment necessary is the severity of the cultural crisis in which art stubbornly refuses to find itself. For art to make sense and to survive the uprooting effects of the escalating cybernetic revolution, it needs to be something other than what it has been. The place to consider the future of art is as much the world of thought as it is the artist’s studio or the gallery.
This...
e-flux Journal
Posted: May 1, 2015
Category
Aesthetics, Technology, Philosophy
Subjects
Social Media, Futures
e-flux Project
Category
Internet, Interviews & Conversations, Labor & Work
Subjects
Biennials, Community, Digital Humanities, Apocalypse , Corruption, Planet Earth , Artificial intelligence, Artistic Research , The Cosmos, Cosmism, Networks, Biopolitics, The Commons