Nicholas Mangan (b. 1979 in Geelong, Victoria) works at the intersection of sculpture and film. His practice explores the unstable relationship between culture and nature, broadly in relation to the Asia Pacific. Mangan’s recent projects have focused on Australia's geopolitical implication within the region, and its broader economic and ethical place within a global ecology. In order to excavate the contested histories surrounding specific sites and events, his practice involves fieldwork and collaboration across disciplines.