4 documents
Vivian Caccuri Read Bio Collapse
Vivian Caccuri Read Bio Collapse
Vivian Caccuri uses sound as a vehicle to experiment with sensory perception in relation to history and social conditioning. Her first book, Music is What I Make (2012), was awarded the Funarte Prize for Critical Production in Music in 2013. Recently, Caccuri released her first vinyl record, composed and produced at the Studio Acusticum conservatorium in North Sweden, and her second book, a compilation of texts about sound in Brazilian Art.
New Museum
Theaster Gates: Young Lords and Their Traces
e-flux Announcement
Posted: November 10, 2022
Category
Sculpture
Subjects
Memorials & Obituaries, Knowledge Production, Community, Sound Art
Institution
Critical Cooking Show
Valeria Meiller, Agustin Schang, Mariana Sanchez Salvador, Rain Wu, MOLD, Yardy World, Linda Schilling Cuellar, Ayşenaz Toker, Merve Tuna, Ilana Harris-Babou, depatriarchise design, Mayar El Bakry, Romi Lee, 2050+, -orama, BUREAU, Walter el Nagar, Filipe Felizardo, Ben Goldner, Emma Leigh Macdonald, Luiza Prado de O. Martins, Nelly Ben Hayoun, Rabah Ourrad, Zuri Camille de Souza, Vivian Caccuri, Laura Wilson, Mutfak مطبخ Workshop, Asako Iwama, Iris Lacoudre, Camille Sineau, and Dirty Furniture
Architecture Project
Posted: February 14, 2021
Category
Nature & Ecology
Subjects
Food & Cooking, Plants & Forests, Folklore & Tradition, Community, Human - Nonhuman Relations
Critical Cooking Show
The New World Syrup & The Fever Hand
Vivian Caccuri
Architecture Essay
Posted: January 17, 2021
Category
Latin America, Nature & Ecology
Subjects
Food & Cooking, Slavery, Health & Disease
e-flux Criticism
Posted: September 15, 2016
Category
Indigenous Issues & Indigeneity, Music, Democracy
Subjects
Corruption, Climate change, Anthropocene, Protests & Demonstrations