Xin Wang Read Bio Collapse
Xin Wang is a curator and art historian based in New York. She is currently planning an exhibition that explores Asian Futurisms for The Museum of Chinese in America, New York. While pursuing her PhD in art history at the Institute of Fine Arts, New York University, she’s also been conducting a series of public zoom webinars on topics of technology, new media, and Asian American perspectives for the Whitney Museum of American Art since spring 2020.
e-flux journal on feminism(s): Double issue launch with Martha Rosler, Xin Wang, McKenzie Wark, and Elvia Wilk
# 81
To think that Hollywood (or any other highly visible, immensely powerful American, European, or—dare I say—Chinese institution) is anything but provincial, or that it is any real benchmark of cosmopolitanism—assumptions that continue to underlie debates on representation and identity—is delusional and unproductive. The “othering” gaze will never admit that it only likes to see what it wants to see. This is why embarrassing, bikini-waxed exhibitions claiming to present and represent creative endeavors from culturally and geopolitically volatile regions still take place in established cultural institutions. Efforts to further tighten control over narrative and framing reflect an institutional anxiety about faltering credibility and a diminishing influence over the dominant discourse.
