“What I can say is that there are different layers of refusal; it begins with this violence I am responsible for in photographs; I find myself in a situation of impossibility, of doing what I have to do with these images. And then there is another layer over this; the context of the art world, the institutional context … I find it very violent to be at this point of the program, I think about [whether] what I am presenting will offend somebody. It is very difficult to exist in this and…