You think a dive into Covid conspiracy theory unreality couldn’t happen to you—I’m not so sure. Didn’t many of us not long ago confidently assert in the linguistic turn that the world was created entirely through language and discourse? With enough time to do our “own research” and few boundaries around the vectors critique can take, one might end up joining a “great derangement” rather than exposing hidden truths. Isn’t it awfully easy to lose sight of the real?

I had seen the banner before; it was made by the former dean of the School of Military Design at Pratt. The SMD dates back to World War II when the institute, rising to meet the moment, ran an Industrial Camouflage Program and recruited students on campus. Five alumni of the time, including Ellsworth Kelly, became known for their service in the “Ghost Army,” a unit that employed creative tactics—inflatable tanks, phony radio transmissions, even fake generals—to deceive German forces. Pratt leveraged their success and built lasting ties with the military, creating a new model of art school.

Natasha Ginwala: I wonder if we could think about corruption as something that already performs immanently in your various roles as an artist, musician, and writer, in the ways that these different approaches become entangled across processes of liveness and improvisation, in music, scripting and building film scenarios, and so forth. Hassan Khan: Of course even the word “corruption” is very broad; there is direct political and financial corruption, there is entropy as a...

For the revolution to happen, everything must be done to prevent it. Cunning of speech art thou! But I am slow To learn of thee, whom I have found my foe. —Sophocles, Oedipus Rex If there has been anything consistent about the extremely eclectic ideology of the post-Soviet Russian state in the past decade, it can be described with one idea: anti-revolution. This is not to be confused with counterrevolution. Counterrevolution, as the term has been used since the...

The following text, which is the second of three installments, traces back to a conversation I had with Mike Kelley in 1994, “Too Young to be a Hippy, Too Old to be a Punk.” 1 Christophe Tannert at Kunstlerhaus Bethanien in Berlin had invited us to discuss underground political and aesthetic culture in the US for the first issue of Bethanien’s Be Magazin . One year later, I followed this up with a narrative account and analysis of the subject, “Burying the Underground.” Meanwhile, a...

That is why this story from ancient Egypt is still capable after thousands of years of arousing astonishment and thoughtfulness. It resembles the seeds of grain which have lain for centuries in the chambers of the pyramids shut up air-tight and have retained their germinative power to this day. —Walter Benjamin, The Storyteller 1 Information isn’t memory, and it does not accumulate and store for memory’s sake. It works exclusively for its own profit, which depends on...

Living in Amsterdam in the spring of 2004, I received a letter from a senior advisor to the Netherlands’ chief government architect. Enclosed was a job description, translated from Dutch. The Government Buildings Agency was hiring on behalf of the Algemene Inlichtingen- en Veiligheidsdienst, or the Dutch secret service. The Organization had doubled in size over recent years due to the new wave of global terrorism and was thus moving to a larger building. As a government building funded with...