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“A new kind of archive”

Dina Ramadan, Mahmoud Khaled

Art Criticism

Posted: June 24, 2022

Category

Museums

Subjects

Middle East, Libraries & Archives, Public Space, Queer Art & Theory

American Artist’s “Shaper of God”

Jonathan Griffin

Art Criticism

Posted: June 23, 2022

Category

Migration & Immigration

Subjects

Science Fiction, Identity Politics

Documenta 15, “lumbung”

Kevin Brazil

Art Criticism

Posted: June 21, 2022

Subjects

Decolonization, Biennials, Climate change, Art Collectives, Collaboration

Diamela Eltit’s “Custody of the Eyes”

Olivia Casa

Art Criticism

Posted: June 17, 2022

Category

Latin America

Subjects

Art Activism, Art Collectives

12th Berlin Biennale, “Still Present!”

Jesi Khadivi

Art Criticism

Posted: June 15, 2022

Category

Colonialism & Imperialism

Subjects

Decolonization, Biennials, Postcolonialism

ORTA’s “LAI-PI-CHU-PLEE-LAPA Centre for the New Genius”

Inga Lāce

Art Criticism

Posted: June 10, 2022

Category

Performance

Subjects

Biennials, Science Fiction, Eastern Europe

Anne Imhof’s “AVATAR”

R. H. Lossin

Art Criticism

Posted: June 9, 2022

Category

Performance, Installation, Bodies

Subjects

Public Space

Pipilotti Rist’s “Big Heartedness, Be My Neighbor”

Terry R. Myers

Art Criticism

Posted: June 7, 2022

Category

Feminism

Subjects

Video Art, Media Critique

New criteria

The Editors

Art Criticism

Posted: June 2, 2022

Karen Archey’s After Institutions

Ben Eastham

Art Criticism

Posted: May 31, 2022

Category

Bodies

Subjects

Institutional Critique, Disability, Media Critique, Class, Art Activism

Bani Abidi’s “The Man Who Talked Until He Disappeared”

Sadia Shirazi

Art Criticism

Posted: May 27, 2022

Subjects

Memory, Fiction, Media theory , Propaganda

Tarek Atoui’s “The Whisperers”

Rachel Valinsky

Art Criticism

Posted: May 26, 2022

Subjects

Sound Art, Socially-Engaged Art, Media Critique, Middle East

Chim↑Pom from Smappa!Group’s “Happy Spring”

Jason Waite

Art Criticism

Posted: May 24, 2022

Category

Installation, Urbanism

Subjects

Institutional Critique, Japan, Censorship

London Roundup

Orit Gat

Art Criticism

Posted: May 20, 2022

Category

Urbanism, Sculpture

Subjects

Art Criticism, Video Art, History

“Dance Reflections”

Isobel Harbison

Art Criticism

Posted: May 19, 2022

Category

Dance, Performance

Subjects

Collaboration, Libraries & Archives

Josephine Pryde’s “Taylor Swift’s ‘Lover’ & the Gastric Flu”

Travis Diehl

Art Criticism

Posted: May 17, 2022

Category

Music, Sculpture, Photography

Subjects

Illness

Em Rooney’s “Entrance of Butterfly”

R. H. Lossin

Art Criticism

Posted: May 13, 2022

Category

Feminism, Sculpture, Photography, Nature & Ecology

Paulo Nazareth’s “Vuadora”

Oliver Basciano

Art Criticism

Posted: May 10, 2022

Elmgreen & Dragset’s “Useless Bodies?”

Cathryn Drake

Art Criticism

Posted: May 6, 2022

Category

Bodies, Sculpture, Capitalism

Subjects

Anthropocene, Fashion

“One long crime”

Lawrence Abu Hamdan, Skye Arundhati Thomas

Art Criticism

Posted: May 5, 2022

Category

War & Conflict

Subjects

Middle East, Sound Art, Video Art, Violence

How Soon is Now?

The Editors

Art Criticism

Posted: May 3, 2022

Subjects

Editorial, Art Criticism

Erin L. Thompson’s Smashing Statues

R. H. Lossin

Art Criticism

Posted: April 29, 2022

Subjects

Decolonization, Monuments, Public Art, Identity Politics

Elbert Joseph Perez’s “Just Living the Dream”

Hallie Ayres

Art Criticism

Posted: April 28, 2022

Category

Painting

Subjects

Surrealism, Sleep & Dreams

59th Venice Biennale, “The Milk of Dreams”

Quinn Latimer

Art Criticism

Posted: April 25, 2022

Category

Feminism

Subjects

Ecofeminism, Surrealism, Biennials

59th Venice Biennale, The National Pavilions

Ben Eastham

Art Criticism

Posted: April 22, 2022